Electric Earth, Electric Universe, Space News Video, Thunderblogs December 17, 2023December 18, 2023

Lightning And Its Fractal Domain

When the leading edge of Hurricane Hilary approached the Borrego Desert, I watched from a high vantage some miles away. A line of thunderheads organized into a mothership super-cell that exploded with frightening power in the dark hours before dawn. Once it began, it stayed lit for twenty minutes, like a giant glow-plug. Sparks crazed it’s clouds and licked the ground, while a constant flame burned within.

The explosive encounter was as much about the land as it was the clouds. Like a Tesla coil, the ground was part of the circuit of the storm. It was the land’s response to the hurricane at that place – the Borrego desert – that polarized the energy, amplifying the clouds into an arcing demon.

The sight hinted at scenes our ancestors recorded in myth and petroglyph. The archetypes of major religions, past and present, largely consist of anthropomorphized interpretations of plasma events and phenomena. Not only the event, but equally important, the location it was witnessed is immortalized.

For the moment, set aside whether you believe in gods, demons, or aliens. Ancient people believed. If we want to understand the message they left, we need to re-imagine the context for it.

Dr. Anthony Peratt demonstrated that ancient petroglyphs depict plasma instabilities in the Earth’s plasma-sphere. Specific discharge patterns such as “Squatter man” and “Jacobs Ladder”, to name two of the most prominent, are pecked into the rocks on six continents in identical form and context to verify that some global plasma event took place roughly 12,000 years ago.

The Squatter-man image is of a glowing plasma current forming toroid rings. The rings are known as “reactive currents”, formed by magnetic and electric field induction circulating around the central discharge. The central discharge is a current following the field-lines of Earth’s own, amped-up magnetic field.

What Dr. Peratt doesn’t discuss in his work is the consequences to Earth’s weather beneath those descending arcs of glowing plasma. After all, one must realize magnetic field-lines have no ends. They are electromagnetic interference patterns generated within the Earth and make continuous paths all the way through. Peratt’s instabilities were auroral currents similar to the polar aurora we experience today, but amped-up to the point they glowed along the field-lines much farther from the poles, appearing higher in the sky and visible around the globe.

Much of Earth’s circuitry is internal and unknown. Electrical discharge patterns and how they occur on planetary bodies provide the most outwardly obvious clues. It is electrical discharge that makes and patterns planetary crust, weather and atmospheric phenomena, and it’s what is portrayed as the archetypical demi-gods, demons and alien craft in the various narratives.

The atmosphere and crustal surface present a unique interface to electric currents. It presents an enormous resistance to the current. Also, the plasma physics of near-Earth space becomes quantum chemistry in the atmosphere, and solid-state diffusion in the crust. And charge densities follow geometries shaped by the interfaces, which influences the shape of discharge and its effects. The evidence is in the geology of Earth’s crust, where the electromagnetic effects left undeniable patterns, and in the patterns of weather even today, although it’s operating at a much lower wattage.

We’ll talk specifically about discharges that occur vertical to the plane of the ground, as in cloud-to-ground lightning, which strikes normal to the ground and leaves a pattern such as a crater. Some types of planetary discharge display different aspects of magnetism and reactive power because they are not oriented perpendicular to the ground, like cloud-to-cloud, or ground-to-ground arcing. Those are point-to-point connections that have a different return path in the circuit. Today we’re examining radial discharge from the sphere of the planet, which produces coaxial discharge circuits, where the discharge and return path share the same space.

This is important, because we tend to think and work in terms of Euclidean geometries. Spherical planets are spherical capacitors that produce spherical E-M fields that move currents around in spherical geometries. Straight lines projected on a sphere are no longer straight, they become geodesic, parallel lines are no longer parallel and geometries become distorted.

This leads to tessellation of plasma structures in a spherical capacitor, as charge separates into cells. Interference patterns of compression and rarefaction in a charged atmosphere leads to negative charge in plasma separating into cells surrounded concentrically by positive charge, or vice versa. Given the spherical geometry of planets, these form as tessellation cells in the atmosphere and crust.

Process of charge concentration, separation and establishing current paths. Standing wave interference stores potential energy in tessellated cells. Opposing polarity circuit patterns form along interfaces and centroid-to-centroid pathways, separating charge coaxially. Nodes interconnect into circuitry.

Tessellation cells are what shape charge accumulation and separation, and produce various atmospheric and crustal electrode patterns that are absolutely essential to understand the fractal shapes in geology, weather, solar storms, or any other effect of spherical capacitor discharge.

*Tessellated charge concentrations mirror from ground to sky forming a pagoda of segmented E-M domains, layered by natural dielectric frequencies, where coaxial discharge occurs.*

Tessellated cells are not point sources, but act like opposing electrode plates with uneven, pulsing energy. In conductive layers of the atmosphere, tessellation cells will contain a volume of charge that forms an electrode. Electrodes will stack naturally, due to the mirroring effect of capacitance to form segmented, polarized columns. Charge distributions at one end of a cell mirror charge distributions at the other in opposing polarities. This forms the pagoda-like structure of a coaxial, stacked capacitor, with it’s base grounded to Earth and it’s column extending to the plasma-sphere, sheathed by it’s own magnetic field.

This structure is the segmented, or one could say corpuscular electromagnetic domain where atmospheric discharge occurs. In terms of an electrical circuit, this is the same corpuscular structure that forms coronal discharge from the Sun. Tessellation cells are what shape anode tufts, as anyone familiar with the Safire Project has seen. It is the structure of Earth’s own coronal discharge and all spherical capacitors, including all the stars, planets and moons. Not all of it is visible to the naked eye on Earth, as it is largely composed of drift currents. The arcs and glows from discharge we see is only a fraction of the action.

But ancient time were different. They lived at a higher potential, which means a higher frequency, when ionization occurred more readily and the sky glowed as a result. Glowing tessellation cells – electrodes in the sky, where currents collided, emitting patterns of light – are the evidence.

Spirals, wheels and checkerboards are ubiquitous spherical tessellation forms. Families of antler-headed animals and stick-figure people is from tessellation, too. No mystery, just electricity consistently doing reproducible things – the kind of things scientists are supposed to look for.

Charged, glowing plasma forming circuits in and around tessellation cells are what these ancient petroglyphs represent. In fact, tessellation patterns usually accompany squatter-man glyphs. Squatter-man is the vertical column of a discharge from Earth, and the tessellation cells are the footprint of the discharge columns on the ionosphere and layers of atmosphere. Its proof the sky was going crazy. It’s also evidence that the Electric Universe is correct, and the weather is 100% caused by circuitry.

The story is one of a sky ablaze with energy, not from angelic haloes, alien craft, asteroids, or comets. It was from the Earth itself, amped-up with potential by another “Velikovsky”-type electrical source. Perhaps the Sun. There are several processes to unpack what took place, and how it relates to petroglyphs, lightning and geology.

Tessellation is an aspect of standing-wave interference. It’s a geometric way to map the topography of interference patterns. Standing waves in a plasma store and release energy in cross-currents of induced reactive-power formed in oscillating magnetic and electric fields, which meet perpendicular to each other. These fields conform with the geometries of tessellation patterns because charge densities conform with the compression and rarefaction patterns in the atmosphere. It’s magneto-hydrodynamics in a weak atmospheric plasma.

***Interference patterns tessellation cells.***

Tessellation cells vibrate to form standing waves within standing waves. This can go on forever, by the way, with frequencies within frequencies making standing waves within standing waves in fractal repetitions, creating complex tessellation patterns.

Tessellation will produce a variety of geometries including polygonal, spiral, radial, polka-dot and linear patterns. They can become unstable, transient patterns, or stable, standing wave patterns. They can fractionate into multiple holographic echo patterns in lateral cells. However, there are several influences that lead to certain tessellation patterns that can be found repeatedly in cloud formations, geologic structures and elsewhere in Nature.

They are responsible for the array of spiral, concentric ring, checkerboard and fluid-maze petroglyph images pecked into the rocks. The ancients witnessed these glowing, sparking patterns in the sky and considered them messages from the gods.

Glowing patterns in the ionosphere were from a high energy event, like the aroura that commonly occur at the poles. The reason aroura discharge looks like curtains of light is because the light is produced by glowing, tessellated cells. The Birkland currents that reach Earth pass through tessellated atmosphere.

Berkeland currents refract through layered tesselation cells in Earth’s ionosphere, forming columns of light.

Everyday weather is patterned by tessellation also, but with more subtle energy. We’ll review a few examples of tessellation in the clouds. Geologic regions of Earth display the results of sputtering, glow and arc discharge patterned by tessellation during times of extreme electrical stress. We’ll examine a few examples. Moon craters are the footprint of tessellation cells, as are Earth’s craters and some of it’s mountains. We can deduce cause and effect that creates these various conditions because it can be reduced to the pure logic of circuitry.

*x-y aspect of the magnetic field for a discharge along the z axis.*

Once a tessellation cell forms an electrode, another forms naturally by capacitance in vertically adjacent, charged layers of atmosphere attempting to mirror the first layer. These layers form in opposing polarities creating dipoles between them and forming a coaxial stacked capacitor circuit between the ionosphere and ground. Each segment in the stack has it’s own frequency, or phase in constant feedback with adjacent segments as current flows through. Phases superposition at the electrode, and therefore, can be deconstructed from the interference pattern.

Shape of the E-M Domain of a discharge. Note that dipolar alignments always remain straight lines. Ground nodes should be stationary relative to sky, so this is upside-down in relation to how an actual thunderstorm works.

The first thing contributing to the cellular pattern is magnetism, which results from moving charge. Whenever there is moving charge, as in a lightning discharge, the current establishes a magnetic field around it. This forms a columnar sheath around the current with magnetic walls to enclose “the domain”. Everywhere inside this domain electro-magnetic forces are dynamic.

The domain compresses and expands with the movement of charge through it, which pinches the magnetic sheath. A fast moving current constricts the domain hyperbolically, while a drift current leaves the domain loose. As one cellular domain constricts it draws energy from surrounding domains, which expand.

The hyperbolic shape is a consequence of dipoles rotating at different rates, and phase angles produced by reactive power interference in the process of magnetic pinch. This shape shifting is important in driving charge to-and-fro within the domain, creating cyclic patterns of induced drift currents.

Looked at in cross-section, one sees cross-currents of oscillating radial and circumferential induction fields, compounded by leading and lagging periods between voltage and current phases.

It is frequency and phase that segregates the domain column into cells, with electrodes being the interfaces. It is the superposition of phases at the electrode where the interference pattern occurs.

Electric fields move ions one way, while magnetic fields move them another way, and leading currents pattern first and lagging currents come to overlay. Repeat this in cycles, adding energy from the surroundings as available, and complex standing wave patterns emerge.

How tessellation patterns electrodes, currents and circuits in the atmosphere depends largely on the charge carriers. Nature doesn’t use copper wires. Atmospheric charge is water, ice, or dust borne charge, called bound current when it’s moving, and derives from coherent, polar alignment of charge densities on aerosols and condensates. It turns the clouds into cells and filaments of weak, dusty plasma, even though the particles are mostly water vapor, not dust. Water in all it’s forms is far more electrically structured and complex than a piece of dust.

*Capacitance forces dipolar separation of charge on any body.*

Capacitance forces dipolar separation of surface charge on any body. Electric fields align these into coherent bodies of bound current similar to the way an electric field coherently aligns magnetic dipoles to create a magnet. Coherent bodies of bound current in the sky are called clouds and it’s why they look like electromagnetic interference patterns – that is exactly what they are.

Tessallation cells are contiguous radially as well as tangentially to the sphere of the Earth throughout the atmosphere. It’s structured like bubble wrap, where the bubbles are organized in layered columns. Currents are free to flow from bubble to bubble and interstitially along bubble interfaces. Our focus is on discharge currents that fount from the Earth radially, but it is important to be aware of the lateral interconnectedness of the discharge domain as well, because cells trade energy in this direction. Visible condensation is evidence of continuity in currents delivering energy this way.

Herringbone is obviously an interference pattern.

Look at developing cirrus clouds and you will see a continuous backbone of condensation form that displays continuity for a circuit. The circuit will branch tendrils to fill cells surrounding it, ultimately making the shape of a feather, or horsetail, with a 90 degree bend at the end where the current turns with the cell walls as the induction phase changes it’s direction to be field aligned with the cells.

Stratospheric, ice-borne charge tends to separate into linear filaments that rotate into cyclonic winds that are ungrounded. Waterborne, mid-level winds are influenced by the ice layer above, and the surface-ground layer below, giving it three-phase, ungrounded current activity which evolves into tetrahedral shapes. Ground-surface charge is from dusty, heavy, diffuse ions that are influenced by potential with the more uniform charge distribution in the ground beneath, so tends to draw tornadic-ally from four sectors.

Ground charge on Earth is negative, and because it’s grounded to Earth and transports by solid state diffusion, it draws charge primarily from below, coning upwards to meet positive charge saturating the surface of the domain footprint. On Earth, this interface becomes a grounded, three phase junction.

*Ground* charge cones to interface with saturated *ground-surface* charged matter.

Tesla understood this and “invented” the delta-wye three-phase connection. The fact is he copied Nature. He was a good inventor because he was a better observer of his surroundings.

Earth’s atmosphere forces the domain to become a multiphase circuit. Under tension, an atmosphere layers itself by dielectric properties at different altitudes, as density, temperature and chemical composition change. Layers of water vapor and ice are more conductive layers and have a natural frequency different from dry air. Higher, low density atmosphere is more ionized. Double layers form between these natural frequency phases, which segregates the domain column into cells, and each cell becomes a domain of it’s own, interconnected to adjacent cells in the manner of a stacked capacitor.

*Two-phase interference at domain cell junctions.*

Each segmented cell has its own natural frequency response to the enormous electric field that contains it. The electrode pattern is the superposition of each contributing frequency, where charge separates.

At discharge, segments join, coupled by resonance, and become a coaxial, closed circuit current. Much of it is composed of reactive, drift currents that go unseen, because the entire domain is actually a sputter pattern. Arc and glow mode currents form in and around the high density center of the domain, except in the lower, water cloud cells coupled to ground, where arcs filament around the center of the domain.

The electric field beneath the thunderstorm is locally amplified by the tension between the plasma in the clouds and the plasma ground-surface charge. The tension is technically a “line-to-line” voltage between the cloud and ground-surface currents, which are out-of-phase with each other as the plasma on the ground-surface is trying to follow the action of the plasma in the cloud.

Atmospheric scientists do not understand anything I just wrote. They believe lightning is a dielectric breakdown of static charges and can’t understand why their math doesn’t work. The voltage potential between line-to-line alternating currents is subject to spiking while resistance drops. This happens when phases match, which causes the dielectric breakdown. It’s a different calculation.

When the ground and cloud phases resonate, the entire domain is in harmony and resistance in the dielectric medium drops drastically, allowing filaments of current to connect in a complete, unified-frequency circuit between the cloud and ground. Its how Nature tunes itself, like one tunes a radio. Once the right frequency is found the signal gets through.

The electrodes separate charge. The discharge we see, whether its named lightning, or a Disney character, is the recombination of the opposing charged currents when they collide. This is particularly evident in sprites, because they display positive plasma flames above, and negative arc tendrils below the actual electrode in the upper atmosphere. The sprite shows both the charge separation and recombination in a visible discharge as current filaments through the electrode pattern.

Mature thunderstorms, with their anvil tops and rotating mesocyclones essentially fill the lower segmented cells of the columnar domain and the entire structure acts as bound currents in a circuit. The middle, toroidal layer snaps and pops as it grinds between the other layers like a motor.

A thunderstorm and its EM domain: anvil and toroidal clouds fill their respective cells above a *ground-surface charge saturation*, forming a stacked capacitor. Negative lightning discharges from the toroid around the central updraft, while positive lightning connects anvil to ground outside of the domain.

Most cloud-to-ground lightning is generated around the central updraft of a thunderstorm. Because a mature thunderstorm is the domain and it’s central updraft is it’s positive inner current surrounded by a torus of negative cloud-borne charge, the faster the updraft, the more sparks are generated around it as current channels back to earth in a coaxial circuit.

Anvil clouds are electrode plates in the stacked capacitor. Mammatus are tessellation cells within the anvil that collect charge into tufts. The cloud base and wall cloud of a thunderstorm are footprints of the bottom of the domain cell. Tornadoes are Marklund discharges from the rotating thunderstorm cell, connecting to ground and forming fractally similar imbedded domains.

Thunderstorm central core sucks ground-surface charge up to form an anvil of bound charge.

In high wattage events, connection of the discharge to ground can cause a resonant frequency discharge to take place at the interface, which will sputter a crater. Electric waves of charge build, reflect and superimpose at the interface of a high dielectric in the same way sonic waves build to a shock-wave when they reach the speed of sound in a given atmosphere. Resonance forms a standing EMF shock-wave when it’s slowed from near light speed to solid-state diffusion speed at the air-ground interface, called a “resonant frequency discharge” that splays perpendicular to the vertical discharge column across the plane of the ground with nuclear intensity. Energy expended along this plane is also called “reactive power”, and it forms induced currents in both the ground and atmosphere at the interface.

Because this interface is exposed to ground charge, ground-surface charge and the influence of cloud charge, with lead/lag effects, they superimpose on the ground surface in a multi-phased, grounded interference pattern. Because Nature always finds a balance, the multiphase pattern is usually dominated by three phases and therefore a 3-phase, grounded pattern is most common. Because of the explosive power of resonant frequency, enough energy is often available to express all three phases in the landscape.

Evidence of linear winds across crater face.

Not all craters are created equal. Some are produced by rotating Marklund currents and some are sputter patterns that removed layers of charged earth. Most have raised rims deposited by dust, drawn by magnetic induction to the edge of the discharge domain. In the examples provided, typical features of the pattern are produced by sputtering, winds and arc discharge that excavated and re-deposited the topography.

A radial discharge pattern on a single vector from both sides of the ring, and sometimes with a bar crossing through the ring appears in most cases. It is due to magnetic field induction and is always biased to one side of center-line because of lead-lag interference. Tops of craters show evidence of being swept by fast, linear, electric winds being driven in the grounded 3-phase Keystone pattern. All of these features and several more are evident in the Richat structure, which was formed by a large, hot, supersonic, 3-phase, buzz-saw of a Marklund tornado.

The circular rim is from electric field induction outside the magnetic sheath of the domain. It’s the footprint of the domain. The rim is raised by an inflow of dusty winds drawn to the discharge, and this can be confirmed by how the layering of the rim is structured. There is regular interference that cancelled rim building at intervals on one side of the ring, giving it a saw-blade effect where shock waves formed. A raised rim forms when windborne ionic dust is drawn in and sticks to the charge-saturated ground where induced ground currents flow.

The crater and depressions are where matter was lifted because it carried a surface charge from saturation with the ground-surface. The sputtering lifts everything saturated by ground-surface charge, down to the interface with ground charge. This interface is flat, so it leaves a flat crater floor.

In other words, the shape is a pattern of cathodic and anodic hot spots in the ground and the action of ionic dust laden winds redistributing matter from cathode to anode by sputtering.

Because tessellated domains form both anodic and cathodic regions, polarities can be reversed and form a mountain instead of a crater. These also conform to the Keystone pattern, but whereas a crater’s pattern is biased to the ground phase, mountains are patterned with more emphasis on the ground-surface phase, because it is primarily formed by ionic, dust laden, ground-surface winds in that frequency.

Moon craters are simple discharge structures compared to terrestrial craters because they are only two-phase, direct current coaxial discharges, and have no Keystone type standing-wave complexity of multiple resonant phases. There is just a lead and lag phase of discharge and return circuit, which sputters away matter saturated with ground surface charge to the level interface with the Moon’s ground. That is why almost all the Moon’s craters have flat floors and are the same depth.

Tessellation is evident in “doublet” craters that are joined without any evidence of one having “ejecta” spilling over the other, as if two asteroids improbably landed simultaneously. Sputtering doesn’t make “ejecta” in the first place, and a doublet is so obviously caused by tessellation that one day, small children will laugh about the idiocy of impact craters the way we laugh at “flat earthers” today. Tessellation is especially apparent in the occasional hexagonal and squared craters found among otherwise round craters on the moons. It’s the natural spherical geometry of an area surrounded by circular cells.

Hexagonal craters are tessellation cell “footprints”

This same effect is seen in geologic structures impressed with strong electric currents. A high, but steady current forms close-packed, tessellated, polygonal columns. In the image shown, each column has a head and almost buried foot feature, like a battery, defining where the electrode interfaces were.

Tessellated polygonal basalt columns display “electrode” features at top and bottom and a “pinch” feature centered between.

Not all discharge is above the surface. Discharge punches maars, karsts, breccia and kimberlite pipes through the crust. The shape these structures take is the product of where the depth of electrode junction is and whether it sputtered matter out, or left a de-saturated zone behind. Subsurface discharge is primarily from energized aquifers, or mineral deposits that vaporize and vent to the surface leaving various blow-hole and fulgurite tubes.

It’s no exaggeration to say every landform on Earth can be identified with an understanding of energy, frequency and vibration. In a holographic, Electric Universe, everything is an interference pattern, including matter. It’s just potential energy stored in a standing wave. If one identifies the fractal nature of spherical tessellation, it makes it possible to map Earth’s circuitry.

Tessellation is apparent in Earth’s ley lines, because magnetic induction in Earth’s crust follows their pattern. They can also be locally mapped by correlating with tessellation cell patterns in the topography. The Ley pattern, by the way, is densely packed with geometric uniformity, implying formation under very high electrical stress.

The ancients built on these Ley lines. They developed astronomy, astrology, numerology, geometry, geography, as well as cultural and religious narratives in context with their observations of Nature. They immortalized events with astrologically oriented temples, pyramids and megaliths placed geometrically about the Earth. It’s quite apparent their astronomy was to observe the Earth’s position and attitude with respect to the Solar System and Galaxy. They did not go to all that trouble just to know when to plant crops. They did it because at one time Earth’s position was out of whack.

Circa 9000 BC survivors of catastrophe at Gobekli Tepi – Vulture Stone depicts triangular tessellation in atmosphere from supersonic pressure waves beneath banks of supercell storms, with coronal discharge looping from cyclone to anti-cyclone, creating the “handbags”. These type of looping clouds have been filmed on Jupiter. Above the clouds are discharge patterns. I suspect the vulture is a “squatter man” interpretation. These and other patterns are stylized as the Annunaki centuries later in ancient Sumer. They are not ancient aliens. They are the forces of the Earth.

Their most ancient works were constructed to withstand severe electrical storms and the shrieking winds, lightning, tsunamis and earthquakes that accompanied them. What’s left today are Cyclopean stone-works strewn across the continents; broken, scorched, vitrified and magnetized. Apparently, they did not withstand. Survivors sheltered in cliffs, caves and hollowed out rocks to protect themselves from being electrocuted, buried, scoured, drown, and irradiated by “the gods”.

“As above, so below” isn’t a mystical belief, it’s the most cogent description possible of the way the Earth works. The ancients certainly knew this better than today’s academia. But priests attributed the clouds to the will of the gods and sacrificed the children to appease them. That is what misunderstanding Nature will do when priests and academics bring their fears to the altar.

We need to stop this nonsense and recognize things for what they are. Who knows what’s in the future of an Earth with a magnetic field that’s shifting. Whatever happens, when the storm comes, leave the children alone. It’s already too late to do anything about it.

Thank you.

Electric Earth, Electric Universe September 4, 2023September 4, 2023

Mount Origami – More Proof of Plasma Winds

Origami isn’t this mountain’s real name. It’s called Friday Fold, and is in the Alps, near Bern, Switzerland. Because it’s such a complex piece of earth, it serves especially well to demonstrate the actions of electric circuitry and plasma winds in mountain formation. In fact, this mountain displays electromagnetic/sonic-shock effects so well, it might be considered the “David” of plasma wind sculptures.

It also provides another opportunity to review sonic-shock effects, and expand our knowledge. This exquisite visual evidence portrays so many details of shockwave behavior that it could almost stand alone as proof that plasma winds sculpted the face of our planet. Therefore, we’ll spend some time reviewing shockwave evidence you may have seen in this space before, but it will be worth it to see how this one mountain ties it all together.

One has to wonder how these rock layers bent without breaking? Let’s first take a tongue-in-cheek review of the scientific consensus model for how such a mountain came to be. We should poke some fun because their theories are based on some incredibly hollow assumptions.

The consensus will say heat and pressure under tons of overburden made the rock plastic, and seismic forces made it twist. But these formations are right beneath the surface, where no such heat and pressure exists. So, the consensus added millions of years to allow time for something to happen.

And they have concluded that somewhere in that time this mountain grew deep underground under tremendous heat and pressure, either as a bottled-up volcano, or an ancient seabed, before being twisted and shoved thousands of feet through the Earth’s crust, bending without breaking, to arrive in the Alps – the very rooftop of Europe.

The twisting occurred because the continents are, according to the consensus, creeping across the face of the Earth like undulating amoebas, slowly smashing into each other and causing the crust to fold like an accordion. .

This requires some cause to push the continents, for which evidence has yet to be invented. Being a consensus, however, demands a settled consensus. And settled, they have, on the idea of subduction, whereby continental plates try to hump each other. One plate rides up onto another like a horny walrus causing all kinds of mayhem – earthquakes, volcanoes, and faulting from up-and-down accordion action. It’s an act of violent tectonic rape that shakes the bedframes, but very slowly over millions of years.

This still doesn’t answer what does the pushing, but it explains the heat and shaking. The consensus still looks for a source that pushes the continents around. Peer-reviewed papers claim it could be Plutons, Dark Energy, Dark Matter, micro-Black Holes, or a wormhole. These are “things” with names but no explanation. Many think it’s related to the idea – really just a wild-ass assumption – that the Earth has a core of iron that spins inside like a ball bearing at a different rate than the rest of the Earth. It’s been doing this for billions of years, right under our feet, and we don’t even feel it. It’s so damn smooth, like a Lincoln Continental, except when the continents bang around.

Consensus science model of mountain formation.

While agreeing to disagree about the pushing force, they agree on the humping. But the consensus model for mountain formation from accordion action needs one more act – erosion. They have to fill-up those millions of years. The concept is demonstrated in the above piece of “science”. The idea being mountains were really, long ago pushed up way higher, even two-three times as high as they are now, and then worn down by erosion over those millions of years. This has to happen in their models to produce mountain shapes – the sharp peaks, cliffs, deep cut canyons – and the fact they find “river rock” and sea shells on top of mountains and all other sorts of geologic strangeness.

Never-mind wear causes shapes to round-off, not sharpen. It’s counter-intuitive that mountains result from wear, of course, because it’s nonsense. Welcome to cognitive dissonance.

Their theories leave a lot of questions. Like, where is all that eroded matter? But the biggest question of all is how does that model of time plus random forces produce the harmonics that are so obviously present?

Look at the above pictures, and others to appear later. Go look at the mountains outside. There are harmonic shapes everywhere. These are sonic wave-forms. They are the result of an interference pattern generated by electric winds. The tetrahedral shape of mountains and layered triangular flat-irons are due to a high pressure zone in the shockwave called the Lambda Structure.

Harmonics in shockwaves are found in longitudinal, transverse and compound form. A longitudinal harmonic occurs when multiple lambda structures form simultaneously, side-by-side across a wind-front as an interference pattern. A transverse harmonic occurs when sequential lambda structures form in-line with the wind, like a jagged sine wave, building tetrahedrons one atop, or in-front of another as the shock wave travels into the wind. A compound harmonic occurs when both happen together, in symphony.

Transverse structures portray changes in amplitude to the lambda structure over time, allowing a way to determine if the winds were building, or diminishing as the mountain deposited. Longitudinal structures portray changes in amplitude as well, allowing determination of relative wind strength across the wind front.

Changes to the Mach angle, portrayed on the windward side of the tetrahedron, allow a way to determine relative changes to the wind velocity, in both direction and speed.

The mountains are waveforms. The waveforms are evident in virtually every mountain structure except for volcanoes, and even some volcanoes exhibit them, although the cause and effect are different. Some mountains are clearly defined tetrahedral shapes from supersonic winds and some are piles of fluid dunes, deposited by subsonic winds. The same shockwave forms appear time and again in every type of mountain, from igneous granites to sediments of sandstone and limestone, belying the consensus concepts of formation.

Consensus geology generally ignores the obvious harmonics because their paradigm holds no answer. That is why I never believed them. If you can even find where consensus geology tries to explain harmonics it revolves around meaningless pleas to butterfly wings, interconnectedness and complexity. Ponderings of the eternally confused. They are so full of crap.

They can’t explain it because they ignore the obvious role of electricity. Harmonics are a consequence of resonant frequencies in electromagnetic waves. Sound waves, light waves, any wave. The energy that drives the wind is electromagnetic.

You will know, if you have followed Electric Earth geology, that plasma winds and electrical discharge sculpted the face of our planet. Not parts of it – everything. Erosion and time have had superficial effects on a landscape shaped by Earth’s electromagnetic field, which time and again has amplified to catastrophic levels. Earth’s birth was electrical, and plasma winds scoured it’s face then, and since in repeated events of high potential that piled layer upon layer of sediments during storms of Jovian intensity. As myth has it, and the Thunderbolts.project knows, Zeus really did throw lightning.

That episodes of plasma storms swept the planet is, verifiably evident. Mount Origami is evidence of fluid, ionized dust deposited by supersonic winds during one of these episodes. The shape of it’s sinuous folds is irrefutable proof of supersonic winds.

Most mountain structures are formed like a sand dune, deposited by dust laden, plasma winds. The wind, however was in places supersonic, travelling in jet streams of electric current segregated by magnetic fields and step voltages. Winds swirled in coaxial vortices, paralleled at different speeds, passed each other in opposite directions, and crisscrossed like a freeway overpass. Polarity, harmonics, the electric field and magnetic induction patterned their motions. They were winds like those on the planet Jupiter are today.

Supersonic winds form shockwaves where there is a change in momentum, meaning a change in speed, direction, or density. Any bump on the ground in the path of such wind will produce a standing shockwave. Shockwaves produce sonic waveform geometries sharply defining regions of compression and rarefaction in the atmosphere. These geometries can be reproduced without fail in the laboratory using simple wind-tunnel models.

The image shown is an example. It portrays a standing shockwave produced by a supersonic wind in an expanding volume chamber. Note the nuanced patterns that barely show as shadows, as well as the darkly defined lines that portray the incident shockwave. These are all harmonic reflections that resonate with the incident shockwave, and portray an interference pattern of compression and rarefaction downstream.

Supersonic shockwave and downstream harmonic reflections.

Like any sound wave, shockwaves echo, refract, resonate and cancel in the manor that classical physics predicts. The dark lines in the image are from light refracted by the high density, extreme pressure in the shockwave, taken by Schleiren photography. Each dark line is actually a razor thin region of extreme compression and temperature. Compression also ionizes air in the shockwave, and in the charged plasma environment at the time mountains were built, they became electrical conductors between the clouds and ground.

It should be recognized by intuitive reasoning that in a plasma environment, sonic waves and electromagnetic waves become one and the same. The energy in the shockwave forces ionization, as demonstrated when nuclear-blast shockwaves generate lightning. Add an electric field amped to super-storm levels, winds mixing a chemical soup; and Earths atmosphere had to mimic Jupiter’s, with gargantuan electric shocks trying to balance charges, and the shockwaves acting as lightning conduits.

All of the regions in the shock pattern influence mountain building, and the evidence is left in the rock. So we’ll take a look at a few examples to establish how to observe this, and then discuss the formation of Mt. Origami.

There are three regions highlighted in the next, simplified diagram of a standing supersonic shockwave and it’s turbulent downstream reflections. Use the slider to see the features highlighted.

Lambda Structure – red, Separation Bubble – green, and Expansion Fans – blue.

The highlighted features play the most common roles in mountain building. The first, most obvious feature to examine is the ‘Lambda Shock Structure’, also noted as the ‘Bifurcated Structure’, highlighted in red. This region is where a deflection of the supersonic wind creates a standing wave, called the ‘reflected shockwave’ in the diagram, because it is a reflection from the floor, but is sometimes referred to as the incident wave depending on the framework of the experiment.

The Lambda structure is, in 3-D, a tetrahedral bubble of high pressure and low velocity created where the fast moving airstream separates from the ground and deflects upward. Like wind flowing over an airplane wing, the deflection produces a low pressure, high velocity zone above, and a high pressure, low velocity zone below. In a highly charged plasma environment, it was also a densely charged, delta-wye junction in the circuit between sky and ground, which made it act like an electrostatic dust bin.

The shape of the tallest, most dramatic mountains on the planet are direct visual proof of this. Note there are singular peaks and repeating, harmonic peaks. These were created in a singular storm event that swept the face of the planet. A storm so violent that supersonic winds generated lambda structures thousands of feet high. A wind so dusty it filled those structures to overflowing during that singular storm. This is just my opinion, of course, based on what I see around me. I will say in my defense, that many ancient texts and myths tend to agree.

Everest is a particularly good display, because it shows the magnitude of the freaking winds I’m talking about. It’s twenty-nine thousand feet tall and has sea shells in it. Meaning it was dredged from the sea and deposited high-speed into an electromagnetic Jell-O mold generated by an electrified wind dragging across the face of the Earth. To my mind, this could only be possible if nearly the entire atmosphere was in supersonic motion.

The angle of the windward face of the Lambda structure is related mathematically to the Mach speed of the wind producing the shockwave. The Lambda structure forms a triangular plane at this angle, situated perpendicular to the wind direction, just like the windward facet of a sand dune. It is called the Mach Angle and can be used to determine the wind velocity for a given gas density.

Everest’s north face, on the Tibetan side, is this windward face. The stratification of it’s limestone sediments are at an angle of ‘dip’ much shallower than the North face profile that portrays the Mach angle. The stratification is very evident in the photo of Everest shown.

Please note in the accompanying shockwave image, inside the Lambda structure, there are echoes inside that have a reduced angle of dip compared to the Mach angle of the tetrahedron. This is highlighted in red in the image above.

Compare the stratification dip on Everest to it’s Lambda outline, and there is a similar relationship to the internal pressure stratification in the Lambda structure, indicating the mountain was deposited in layers at this angle under the influence of a continuous wind until entirely filling the tetrahedron. The layers vary in composition, indicating the wind itself was layered, or segmented in composition.

Did the layers deposit sequentially, one atop the other; or did a single wind, rainbow-layered in chemistry fill this lambda structure all at once? I strongly favor sequential layering, but haven’t ruled-out the rainbow. At least, it did not happen over millions of years. It occurred during a single ‘storm’ event. Geologically speaking, it happened all at once.

That must have been something. The entire planet must have spun. In fact, it did. This can be shown – and will be in future articles – by identifying the interference patterns that remain for us to observe. The devil is in the details, however, so understanding shockwaves first is critical. With direct knowledge of how supersonic wave structures act, anyone can see – and study – these structures in the mountains for themselves. There is a wealth of peer-reviewed material in applied science, written by engineers without political agendas, that can be relied upon to study shockwave behavior. The mountains are at your disposal.

The next feature is noted as the ‘separated flow zone’, or more commonly the separation bubble highlighted green in the diagram. It’s this zone of the shockwave structure that formed Mt. Origami. This zone is really a sub-set, or bubble within a bubble of the lambda structure. Because these are sonic waves there are harmonies, and this is a harmonic within the lambda structure. It can fill with dust and create a mountain which will show unique characteristics. One is the ‘double peak’ configuration caused by destructive interference in the waveform.

Separation bubble creates harmonic peaks from an interference pattern due to circulating winds.

The separation bubble is an even higher pressure, lower velocity zone within the Lambda structure. It can also be turbulent, with sucking de-compression zones and backflowing eddies. It is subject to destabilizing as wind velocity fluctuates, and as the bubble fills with dust. The instabilities make identifiable patterns, one of which is ‘double peaks’.

It’s cause is the ‘expansion fan’, the third feature highlighted blue in the diagram, that creates a standing wave interference pattern. This is an interference pattern common in mountain ranges everywhere, where linear, windswept valleys stretch between rows of tetrahedral peaks caused by a low pressure expansion fan at the top of the separation bubble.

Interference patterns in a wind field – Tucson Mountains, Arizona. Light blue – deflecting supersonic wind, dark blue – ground-hugging cross-wind from expansion fan interference. Note the tetrahedral facets on the windward side and smooth on the downwind side of the mountains.

The Schlieren photo shows the low pressure zone created beneath the expansion fan that evacuates this region of the separation bubble with fast circulating winds, leaving a valley between two peaks. In profile, one sees two harmonic peaks, but is actually parallel rows of peaks.

Blue represents airstream direction. Red represents separation bubble and destructive interference due to expansion fans.

It’s important to understand the expansion fans are standing-waves of low pressure that re-vector the wind 90 degrees to the wind forming the shockwave. It causes recirculation, or whirlpools of low pressure in their wake. The whirlpool effect redirects the wind ninety degrees, like a horizontal tornado obeying the right-hand rule, which is how the wind flows hugging the ground in the interference pattern.

Sequential and longitudinal tetrahedrons form in a wind-field, separated by lanes of destructive interference.

If conditions are right, the expansion fan can also suck dust into this region of the separation bubble and fill it, although examples are harder to find because they are usually beneath the ground. The example on the left shows an improbable convex hill made of concave stratigraphy. On the right is an example of an intrusive stratigraphy curling like a wave beneath a perfectly level ridge. This is, literally, a petrified tornado curled beneath an opposite polarity cross-wind that leveled the surface.

A separation bubble produces harmonics in wind tunnel tests that can be perfectly matched with complex mountain forms. Wind deposits “sediment” layers aligned with pressure regimes within the separation bubble. More often these are deposited in laminar planes, like this geologic depiction of the layers in the Catalina Mountains, in Tucson Arizona.

However, these pressure regimes curl like waves – because they are, – when there is turbulence.

Turbulent shockwave reflections can do the darndest, harmonic things when they are energized with high charge density. Note in the region downwind of the lambda structure shown next, there are regular, parallel, vertically linear shock reflections. This is a fine harmonic detail in the pattern of compression and rarefaction that can be found in extremely energetic events.

It’s expressed in the rock as regular perpendicular seams, where knife thin compression waves carried currents that evacuated matter and left checkerboard cracks.

Red lines outline fine, standing-wave pressure stratifications in the shockwave.

Standing wave shock features from highly energetic winds

The next image shows greater fidelity of the intricate standing wave geometries that can form in the Lambda foot near the separation bubble. Bear in mind, the wind blows through sonic waves, but they aren’t bounded by the wind alone. They couple to, and vibrate the solid matter they contact, as some of the energy they convey reflects, and some absorbs depending on the properties of that material. These sonic wave patterns are what you’ll see if you examine rocks much. At least where I live, granite and quartz is crisscrossed with fissures in these same geometries.

The coupling occurs because the matter is being deposited in a fluid, or semifluid state around the shockwave itself, and therefore molding to it’s intricate pressure regimes and boundary layers, all of which is energized with electric current that solidifies to rock as ions recombine to absorb the energy.

The following images display, on the left, a diagram of pressure regimes at the boundary layer of a reflected shockwave. On the right is a perfect example in nature where this exact thing happened, layering windborne dust in the exact mold of the shockwave because this dust deposited into the shockwave as the separation bubble filled, following its exact pressure and step-voltage profile. Yes, I said exact three times.

The ‘lambda foot’ – shock reflections create a ‘pressure well’ dust sucked into.

What’s especially telling of wind formation are downburst craters. Downburst craters occur where the eye of a cyclonic storm impacted the land beneath like a supersonic blowtorch. It typically created ‘boot-print’ craters, with the inner rim of the crater displaying harmonic, tetrahedral shock-patterns where the plasma wind deflected from the ground. The very type of cyclonic storm that produced boot-prints on Earth can be seen raging in Jupiter’s atmosphere today. The glaringly apparent harmonics in these waveform structures can fully be explained by plasma winds, and is reproducible – did I mention Jupiter, where it’s happening today?

Several example of ‘Bootprints’ with sonic features from the downdraft of non-symmetric cyclones.

There is only one rational, reproducible cause that complies with known physics to produce such harmonic effects, and it’s not erosion. It is harmonic sonic waveforms produced by supersonic winds. Harmonic waveforms appear at every scale from the structure of the rock itself to the shape of the tallest mountains, and each and every one can be modelled with wind and a dose of current.

The next image highlights features of a mountain in Comb Ridge, Arizona, along the rim of Monument Valley, formed by an unstable shockwave. In it there is a circular hollow in the center of the tetrahedral mountain. This is also the result of an expansion zone that creates a tornadic circulation which eats into the separation bubble. Around it, harmonic mini-tetrahedrons are forming in forward positions as the destabilized shockwave was beginning to advance into the wind.

Unstable shock wave created a hole in Comb Ridge.

Next are highlighted prominent features on the image of an unstable shockwave produced in a wind tunnel. You can see, adjusting for perspective, they are patterned almost identically.

Unstable shock wave creates a hole in the face of a separation bubble.

Which brings us back to Mt. Origami and it’s strangeness.

The hole is why. Mount Origami, like the mountain in Comb Ridge had a hole in it, too. It’s a very common thing to find such holes in mountain faces, because they were all formed by winds that repeated the same actions again and again. Here are a few examples:

Holes appear between the shoulders and on the face of replicating harmonic layers due to a common instability in the separation bubble.

Look carefully at the next image, which is a close-up of the hole in the mountain in Comb Ridge. You will see the hole penetrates layers into the face of this tetrahedron, and even undercuts the rim. The hole penetrates deeper at the center, and concentric rings of the penetrated layers are exposed.

What forms these holes is a whirlwind that attacks the face of the tetrahedron due to instabilities in the shockwave. The whirlwind drives into the face like a drill. If conditions are right, this whirlwind can drill a hole in the mountain as it forms, and then suck dust from the upper regions of the airstream, and inject it into this hole like a firehose.

Being in a plasma wind, the whirlwind is a Marklund current, which is coaxial, with a spiraling negative current that draws matter up, surrounding a downdraft current of positive ions. The outer whirlwind drills the hole and the inner current gabs dust from above and injects into it.

Imagine taking a hot croissant from the oven, still chewy and too hot to eat. Before it cools, punch a hole in the center of it’s triangular face and inject it with cream cheese. Fill until it separates the croissant and lifts the top layer. Now, press your hand on it and squish until the cheese begins extruding out the sides. That is essentially what happened to Mt. Origami. Take a look:

Green outlines the ‘hole’ formed by a vortex. Blue indicates where ‘fill material’ was injected by the vortex.

The outline, in green, profiles the hole discontinuity and blue lines trace the flowstone sucked into the gap. This tetrahedron formed in the separation bubble of a shockwave that destabilized, allowing a vortex to form on the face that penetrated the nascent tetrahedron and blew dust in, like injecting cream cheese. The shock wave itself, and the patterned layers that it molded, under tremendous pressure, were curled by the inflection in the wind, which changed the attitude and shape of the original tetrahedron, folding it back like a flap of croissant and filling beneath with hot fluid material.

The following pictures show where hot, semi-fluid matter extruded and dripped, covering the stratified layers with flow-stone.

A bulbous drop on the end of an extrusion.

Perhaps you are still skeptical the wind could do this? Then take one more look at the entire panorama of the Gasterntal mountains. Examine all the details. It is a living sculpture in perfect profile of an unstable separation bubble, portraying in excruciating detail the turbulence in the wind.

Panorama of Gasterntal is a shockwave display.

Mountain formation within a turbulent shockwave showing tornadic instability formed by expansion fan.

Folds are created by turbulence in the separation bubble.

Central to the panorama is a curling wave.

Intricate pressure patterns form acute geometric bends – not random forces over millions of years.

Connecting layers between central bulge and Mt. Origami.

This should nail the coffin shut on consensus geology and prove plasma winds. The entire mountain displays intricate shockwave patterns that can be matched, curl for curl with a repeatable wind tunnel test. And this isn’t the only example of the same turbulent form in mountains. Mt. Origami happens to be the best example I’ve found.

Of course there will be those who call this pareidolia. They are the same people that say the paltry, one-way force of gravity shapes and powers the universe. They are the same people who say millions of years of erosion makes harmonic, perfectly formed tetrahedral peaks in the shape of shockwaves. They also say a room of monkeys could write the Bible if given enough time. They are the consensus – herd minds who have shepherds who feed them this nonsense. But for normal people, I think common sense and a pair of eyes is all that’s needed to see what is actually sitting in Switzerland.

Wind blew through sonic shock patterns of high charge densities, carrying matter. A chemical Pandora in reverse – all jammed together in layers that conformed to shockwaves that came and went. A brief interference pattern caused by some ‘Velikovsky-style’ event. Only their pattern is left behind, as solid as a rock.

Layered rock sediments that rode an elevator, folded without breaking and eroded, or were they deposited in the pattern of shockwaves before they hardened into rock? You decide.

There is no need for equations, or a PhD. Nature provides the empirical knowledge by example. God wants us to know. Besides, you must be aware by now, a PhD is evidence of complete matrix absorption – the highest level of brainwash.

This is why I am a Natural Philosopher, not a psy-op-entist. Why waste time on detailed forensics when the truth has already been revealed? It’s my Dharma, which is to say, my pleasure to show humanity, not to prove anything. Belief is in each individual’s heart; not charts, or equations. You look, you see, you think and you decide.

Thank you, and Cheers!

Electric Earth, Electric Universe, Thunderblogs August 16, 2023August 16, 2023

Egyptian Hieroglyphs – Are we missing something?

I want to state up-front that I have no training in Egyptology. I am an engineer, providing an engineer’s perspective on what we are about to discuss.

The topic is electricity, of course, and how it was used in ancient Egypt. We’ll look at evidence that’s been overlooked. I think it will enlighten our appreciation for the Egyptian’s engineering sophistication and refine our understanding of their spiritual beliefs and practices. This is not to suggest anyone else is wrong, simply that interpretations may be incomplete because of what has been overlooked.

We’re going to focus on the tools being used by the characters in certain hieroglyphs. It’s the character’s tools and attire, and how they are portrayed being used that we are concerned with. This collage of images depicts some of the tools. They are the Was Staff, the Djed, the Ankh, the Crook and the Flail. A few others will be introduced later, but some combination of these appear to be employed in most of the depictions we’ll look at.

The common attire is the headgear and collar. The headgear varies widely, but common features are the protruding antennas, usually in the form of cobras at the forehead; and the shape, although variable, always forms an absurdly voluminous envelope about the head. The collar covers the chest, made of concentric rings of metals and beads of precious stones. Metals, especially gold, were used profusely, in both the attire and tools, as were minerals such as Lapis Lazuli.

Notice the positioning of the tools in the next group of images. Notice how the flail is held brushing the shoulder. The crook is held to the neck. And the characters are in the act of touching each other using their hands, nose, staff and ankh. The Ankh is often depicted held a fraction of an inch from a character’s nose by the hand of another.

What I’m suggesting is they were shocking each other. They are depicted in these images passing electric currents through each other, using their hands and tools to make connections.

To my limited knowledge, no one has mentioned this before. There have been speculations about use of high technology concerning megalithic construction, and even that pyramids may be a type of electrical generator, but I’m not aware that anyone has suggested they were zapping themselves.

Yet, that is what is being depicted. It’s very simple really. In each of the images the characters are in the act of making connections between themselves, the floor, their headgear, and some brushy-looking implement using the tools. The brushy implements appear in grounded stands, bowls, or held in hands, like the flail, or a fan. The Pharaoh is often depicted being fanned by courtiers.

I know convention is they depict Lotus flowers, Nile Lilies and such, and perhaps they are. My observation is they are charge collectors. Like when one rubs a wool sock on a balloon, it builds static charge. The brushy implements may be fabric, stalks of dry rushes, animal furs, or feathers; that put in motion brushing another material, develop a very high-potential surface charge like a Van de Graff generator.

Brushy implements appear as part of the circuit, being connected by hand, or tool. The headgear and collar is also meant to collect charge, with the large surface areas enveloping the head and an antenna to collect and concentrate charge at the “third eye”.

They are using these implements to build a huge static charge, which is a very easy thing to do by just rubbing things together using the right materials. The headgear and neckwear must concentrate charge and shape an electric field around the individuals head. It appears in some cases constructed to produce St. Elmo’s fire, or a Jacob’s Ladder above the head. In all of these depictions, they are creating a circuit to experience electric fields, frequencies and currents around their heads.

Has anyone noticed this before? An awareness that Egyptians used electricity is not novel, but head zapping? It’s known they made batteries because there are artifacts. And they electroplated everything with gold, like it was powdered sugar. But has anyone ever suggested they were shocking their brains?

There are interpretations of these same implements as sonic frequency devices, which makes exceptionally good sense. However, for a good buzz, electric fields and discharge do the same thing, way better. Besides, holding a vibrator in the hand dampens the vibration unless it’s being fed energy. The depictions show circuitry between characters, the floor, furnishings and implements providing continuity between points of charge collection and generation.

Almost anyone outside of consensus science has concluded, by now, that the “Dendera Lightbulb” hieroglyph is depicting something electrical. With what we’ve just discovered, let’s take a closer look at that particular set of hieroglyphs.

Kneeling characters are grounded conductors.

The entire scenario depicts a circuit, with the Djed delivering capacitor charge to what appears to be a giant lightbulb. It clearly shows halos of plasma discharge between the characters and the bulb – into their heads. The bulb is a giant plasma ball being charged by a big-ass capacitor. There is circuitry, frequency and discharge into peoples heads taking place here.

The Djed appears to be a primitive plate capacitor, its plates likely made with a crystalline stone to store charge, separated by air gaps and a dielectric core, stood on an isolated, central pillar. It is portrayed as part of the circuit, often in context with characters using bare hands, or bladed connectors held to jump the plates.

Each character is bridging plates with one hand to discharge the stored energy.

The ankh, staff, or hand is used to deliver the spark and control continuity for the energy to flow through the individuals. We can confirm people in those times considered the staff a type of spiritual tool, used to convey magical power, because it is explicitly depicted that way not only in Egypt, but in the Bible and other works. Electricity would fill that bill.

The Ankh is considered “the Key of Life” by experts. A tool the gods used to deliver the spark of divine life to the Pharaoh – through his nose, for some reason. Spark of life indeed. Zap your sinus cavity and you’ll feel alive alright.

There is another type of tool that appears to be a lamp, or incense burner. In context with the other implements, I think these are tools that produce ionizing flames. Perhaps they contain reactions using carbon black, magnesium, oils or other reactive elements. Notice the tools in the images have two parts, one being a wand that contacts the flame, and the lamp itself. Perhaps the wand is a catalyst, or flux to generate ions when heated and the other tools are positioned near to accumulate charge. These look to be depictions of preparing the tools, by saturating, or de-saturating them of charge before use. De-saturating makes perfect sense as an act of purification, to exhume any lingering ‘spirits’ before the next use.

Staff, crook and flail held next to a plasma generator and grounded brush. The throne looks like a capacitor.

In the next painted image note the circuitry. Note that some characters are on pedestals and some not. Note the same pattern and color of dotted and hashed lines used for the hooked staffs are used to outline the headgear. It appears they are touching to flow current through their arms and headgear using staffs and other tools. The motif might represent how charge diffuses through the circuits.

It appears the central characters are about to transfer charge they have built-up to the Pharaoh’s hat, while standing on pedestals. The Pharaoh is grounded and his crown and flail are a different color, perhaps to indicate he’s ‘purified’ with the opposite charge and ready for a high voltage connection to the gods.

And there are three cartouche suspended at headgear-level, and two orbs above that, also bordered in this pattern. They look to represent physical objects present in the diagram, and not just bordered text. There are instances it is hard to tell if a glyph is showing a text box, a physical item, or both.

Perhaps we miss a layer of meaning and the cartouche represent prayer wheels that, when spun, generate an electric field with the grounded floor, enveloping the characters and amplifying voltage potential. The shockers are isolated on the pedestals to generate a step voltage between them and the Pharaoh, who is grounded.

Or, perhaps charge is generated in a dedicated room with batteries and capacitors and then delivered through the wall by an electrode.

It appears to me, the Pharaoh liked to get shocked. The bigger the better. Maybe this was how he proved his strength; his divine connection to the power of the cosmos, and his ability to share that energy with his people. It seems entirely consistent with established interpretations that they were using electricity this way, and even confirms why they considered these hats and tools so significant.

They were celebrating “the spark of life” from the standpoint of people who used electricity in their lives and understood they were dealing with the cosmic force. I think it’s we who get lost in the centuries of layered dogmas about their many gods and underestimate the profound understanding of nature they possessed. I think this is true of other ancient cultures, and we, the linear reasoning, scientific reductionists have long ago accomplished the goal of reducing our awareness.

Another aspect to consider is these electric ceremonies are being conducted, one can assume, in temples constructed of megalithic stone. Several glyphs portray pedestals the characters sit on, or touch. Some appear to be inside some kind of chamber. These rituals may have been conducted in the bowels of the earth, inside granite chambers, or in the open air on platforms that amplified Earth’s natural electric field.

Something between the legs – I don’t want to guess.

If they were in chambers, using ionized gases, they would necessarily be rarefying the air. This could enhance plasma activity tremendously, but might have consequences such as death by suffocation, or toxicity. Perhaps they generated a tolerable gas like helium. Or perhaps the exposure was limited to an anteroom where a brief purification ritual took place. It’s something to consider.

The floors are key to every circuit. We can assume they are stone, and likely conductive. Seated characters are often on isolating pillows, or pedestals, building potential before grounding their tool to the floor.

Characters are also seated on low thrones that appear grounded to the floor and layered in appearance, as if they could be a type of capacitor. That, I imagine would send a shock up their spine right through the top of their silly hat.

Passing current through the spine, sinuses and skull has some exotic effects. We know it works for lobotomy. Lightning victims generally have bad effects. On the other hand, there are “marital aides” made with plasma electrodes, so sparks can’t be all bad. Hopefully, the Egyptians knew how to get positive results.

I believe their use of granite, sandstone and limestone for temples, and all manner of subterranean vaults; their placement over aquifers and other water features; and their locations around the world were chosen strategically to make use of Earth’s electric field.

What I can say for sure, as an engineer, is that the little copper, bronze and iron connectors found in megalithic stone foundations all over the world have no structural purpose. Any force large enough to move several tons of stone would snap these pins in a heartbeat. The only rational purpose is to provide electrical continuity between stone blocks to distribute charge evenly and not cause unwanted sparks at the joints.

The same is true for why they meticulously mated stones together without mortar – to provide solid continuity. And the enigmatic nubs left on otherwise finished stones is not for lifting, or because the stone workers got lazy. They are positioned around gates, doorways and passageways to deflect discharges away from where people walked.

An energized stone, especially one being struck by lightning, will absorb and discharge current, and one doesn’t want that to happen across the doorway you are walking through. So the nubs are collector points for charge to accumulate and discharge safely, and help desaturate the stone near the seams, openings and walkways they are placed around.

There is no doubt in my mind that ancient Egypt was a different world than we know, with a different Earth potential, a different frequency, different energy, a more electrified environment compared to ours; and they used it in ways we must struggle to imagine, because it is a world foreign to us.

The article linked below sheds some light on ancient construction practices.

MIT Engineers create supercapacitor from ancient materials.

This article describes how MIT Engineers made a capacitor from cement, water and carbon black. Their experiments show a slight doping of carbon black with concrete allows it to hold a useful capacitor charge. The team calculated that a block of nanocarbon-black-doped concrete about 3.5 meters a-side can store about 10 kilowatt-hours of energy, enough for the average household’s daily use. In other words, your home’s foundation could be your energy storage device with this technology.

Likewise the Egyptians, and other megalithic builders, used granites and other stones with natural electrical properties. Granites are composed of silicates – silicon and oxygen compounds with a bit of other elements mixed in that form crystals and platelets that readily diffuse charge. Granite is highly conductive, and piezo-electric, which means if it’s vibrated it generates electric current.

Sonic vibration would be the easiest way to stimulate the stone and give it a frequency. It would generate a direct current, pulsed by the resonating, sonic frequency. It appears everything they did was based on static charge and discharge, obviously because Nicola Tesla hadn’t been born yet.

I can imagine, deep in the bowels of a temple, being surrounded by granite’s natural energy, enhanced by sonic vibrations delivered by trumpets and drums from the pageant outside the chambers. Waiting patiently for my spiritual awakening, while incense fills the room with dense aroma, and the only sound is a hum and crackle as priests turn tables of feathers against my skin, speaking incantations. These things fill my mind with hallucinations; charge my body with dry anticipation; and encase my head with a buzzing presence.

Then: Wham! Somebody pokes an ankh at my nose and fire shoots through my butt to the top of my head, energizing chakras I didn’t know I had. I could see someone doing that – not me – somebody who deserves it, like a Pharaoh. The Mayan Kings stabbed their penises, which sounds a lot worse.

Perhaps electric current stimulated a spiritual experience. Perhaps it enhanced psychic ability. Perhaps it stimulated psychedelic experiences. Perhaps all three. Maybe that’s why their gods have dog heads. If one thinks about it, head zapping might be considered for many ancient mysteries.

Do we really accept these monstrosities were caused by binding a baby’s head? Or did head zapping cause it to unnaturally grow this way? Did the Egyptians really make astronomically complex constructions from stone by pounding and cutting with copper saws? Or did they employ electric currents with the stone to make it disaggregate, and therefore be more malleable? These are the questions that I ponder when I look at the works of ancient Egypt. I’ll close with some more images where I see elements of electric circuitry. I encourage you to look with ‘electric eyes’ and see what you find. .

Electric Earth, Electric Universe, Thunderblogs May 26, 2023June 2, 2023

Granite Cauldron – Part 2

In Part 1 of Granite Cauldron, we discussed boulders and their formation. We looked at several examples where the granite displays unambiguous patterns that perfectly match the known behavior of hot, viscous fluids forming drops and flows at atmospheric pressure. We discussed my proposition that this is the result of a massive telluric current. That is, an electric current emerging from below Earth’s crust and diffusing into the crust, where it charged a conductive aquifer near the surface, causing electrolysis and generating heat that boiled the sand capping this aquifer.

To complete our understanding of the theory, and in particular why the ground boiled, it’s time to take a broader view of the mountains themselves to see how the cauldron came to be. It will help if you have also read, or watched previous articles on “The Keystone Pattern” , because that pattern is a definable, predictable consequence of current discharging into, or from the Earth, and will be referred to in this article.

Repeatable and predictable is as close as it gets to proof, right? We’ll look at how the Keystone Pattern is evident and then discuss the plausibility of electrolysis and heat making granite from sand.

The Cauldron

To orient yourself, look at the following Google Earth image, and use the slider to see annotations. The mountains in question are within the lower area circled. The city on the coast at the bottom of the image is Tijuana, Mexico, and above it, with the large bay, is San Diego.

The circles have crosses in the center, and you can see by using the slider, that these correspond to deep cut valleys, and the circles highlight valleys and highlands ringing the cross. You can also see several other circular, cross and parallel valleys elsewhere, but the features highlighted easily dominate the region.

Move slider to see highlighted features.

In the lower circle, in the lower-right quadrant below the cross, is Potrero where most of the photos in Part 1 were taken. A closer look at this area reveals more patterning to the canyons within and around the circle. The next image shows there are parallel, linear canyons in the upper right and part of the upper left quadrants formed by the “X”. Use the slider to see them highlighted in blue.

Blue lines are electric wind vectors, red is Marklund current rotating up, green indicates sputtering due to ground-charge saturation.

These canyons were cut by electric winds driven by reactive currents on the ground. Reactive currents are induction currents in the electromagnetic field surrounding a discharge. Reactive currents are at 90 degrees to the primary current discharging, so this is a pattern of currents and winds hugging the ground and flowing into, away from, and circling around the center of a discharge coming out of the Earth at the center of the “X”.

The annotation indicates in red where the winds twisted and lifted into a tornado along the left-hand of the cross, and opposite on the right is an area shaded green where electrical sputtering took place, leaving a large, flat bottomed valley. Both of these, and the linear winds are predicted by the Keystone Pattern.

As are the lower quadrant winds, which the canyons show blew radially away from the “X” in the left quadrant, and blew circumferentially around the “X ” in the right quadrant.

In the next annotated Google Earth image, the slider shows yellow and orange annotations where shock waves left tetrahedral patterns. The orange tetrahedrons were from supersonic winds exiting the tornado.

Tornadoes are a class of weak plasma discharge known as a Marklund current. It is, in fact, a coaxial circuit from cloud-to-ground with a positively charged current spiraling up on the outside, which is the dusty part of the tornado we see, and there is a central downdraft of negatively charged current. It’s this central downdraft that blows out from the bottom of the tornado at supersonic speed that caused standing-wave tetrahedrons to form in it’s blast zones in the left quadrants.

We don’t notice this outflow wind in the puny little tornadoes seen today, because a) nobody is looking for it, and b) it’s overwhelmed by the positively charged bulk of dusty wind being drawn into the rising outer rotation. But in the amped-up, high pot electric storm that made this tornado, the negative outflow was substantial and carved into the ground to slip beneath the spiraling positive inflow, and that is why it’s marks can be found on the landscape.

The yellow annotations are from shock waves caused by arc-blast from a ground hugging discharge that formed the cross, highlighted in red. This filament of arcing discharge heated and vaporized everything in it’s path, and the explosive wind of expanding gas left shockwave separation bubbles that formed these tetrahedrons.

Because the pattern indicates winds circulated counter-clockwise, the right hand rule says the current was coming out of the Earth. The winds followed the charge distribution on the ground, which was patterned by reactive currents. Reactive currents are currents induced by the electromagnetic field that surround the vertical discharge current. They are sometimes called eddy currents.

As the discharge circuit sparks the E-M field rotates, creating an interference pattern on the ground between magnetic induction and electric field induction, which are at 90 degrees to each other at the center of the discharge.

All of the features shown can be found in craters and mountains all over the planet, and some other planets, because it’s what electricity does. It’s a predictable, repeatable, fractal, naturally occurring proof that we live in an electric universe and, like us, gravity is just along for the ride. But more specific to the boulder cauldron, this pattern confirms that electrical charge welled from the Earth, with it’s charge concentrated at the center of the “X”.

“X” marks the spot. The magnetic field forms the ring around it. But magnetism takes time to develop, so is out-of-phase with the electric field allowing hysteresis into the circuit, and standing waves result. Each quadrant exhibits a particular shape of charge distribution as the E-M field modulates, as leading and lagging induction currents form and the dominating force shifts from the magnetic to electric field.

This pattern is just an interference pattern like the bars of light produced in the famous “two slit” experiment. It is more complex, because it involves multiphase, alternating electric current and magnetic fields which are things that have stumped consensus science for the past century. This pattern should be well understood and well recognized, but it’s not, even by electrical engineers because they don’t dive deep into understanding the flow of energy and ignore the obvious influence of the ether. They use convenient approximations, graphs and models and ignore fidelity in the fundamental waveforms.

The ground-sky interface presents a huge wall of resistance. Current welling from the ground suddenly loses its conductor – all the water and metals in the ground – and meets the high dielectric air. Even if the air was a conductive, dusty plasma, as it most certainly was, the change in density from solid-state to gas presents a huge step resistance. Resonant frequency discharge occurs when back-emf forms, reflecting off this resistive barrier and superpositions – matches frequency – resonates, in other words, like a shock-wave and forces the energy orthogonally from the vertical plane to the horizontal, across the face of the earth, gouging channels in its path due to the fact the energy wants to stay in the ground where it finds conductance, and because it’s arc-blast is an explosive wind.

Bottom left – magnetic induction; top right – E field induction; top left and bottom right – mixed induction

To better understand the patterning it helps to see the vertical channeling that occurs in coronal discharge currents. Dark-mode, drift, or coronal currents are used in manufacturing to electrically apply coatings; a process called sputtering, or to remove material; a process called electro-dynamic machining, EDM. In both processes there are two electrodes: one giving-up material and one gaining material – a cathode and an anode, – and a circuit through the atmosphere between.

Orange tetrahedrons are from blue tornadic outflow, yellow are the arc blast of a resonant frequency discharge, in red.

Such currents pattern themselves into circuits of two-way, positive and negative channels. These channels are what appear at opposite sides of the “X”, where sputtering occurred on one side and a Marklund current on the other. Positive and negative biased plasma channels precisely as experiment produces in point-to-plane coronal discharge, as shown in the diagram: “Primary Reaction Channels in Coronal Discharge”.

Electric wind and sputtering channels in coronal discharge.

When these mountains were built, the electrodes were the Earth’s crust – ground – and plasma charge concentrations in the clouds – storm. This formed an electric field geometrically similar to a classic point-to-plane discharge in air. The footprint of a tornadic wind and sputtering, juxta positioned precisely as experiment predicts, is worth noting. It’s the same damn pattern as a meso-cyclonic thunderstorm, with it’s rain curtain, down-burst channels, updrafts and Marklund currents located in the same damn places, every damn time. When will these so-called scientists notice?

Close-up of Arc Blast and Tornado footprints.

The sputtering channel and the Marklund, or “electric wind” channel are one and the same channel looping through the electrode. It is a coronal loop, which is the same electrical circuit that makes coronal loops on the Sun. It’s the same electrical circuit that drives thunderstorms and the storms on Jupiter. It is the same electrical circuit witnessed and recorded by ancient people – probably just before it killed them.

To demonstrate how this is a predicable, repeatable, fractal expression of a coronal discharge, look at the other, larger region circled in the first image at the beginning of the article. Below both circled regions are compared, and I have highlighted where the electric wind and sputtering channels left their marks. They are mirror images of each other. The quadrants are simply rotated opposite each other. Both have counter-clockwise rotation.

Looking closer, one can identify the sputtered region is now occupied by the City of Ramona. Typical of sputtering, it leaves a flat-bottomed, kidney-shaped valley ideal for farming, grazing and occupation.

City of Ramona lies in a sputtered valley.

The Keystone pattern is a set of patterns created by a primary discharge current and it’s reactive currents in an E-M field, and will display at an interface where coronal discharge occurs due to a step rise in resistivity, like on a capacitor plate, or the surface of an atmospheric planet. Like fingerprints, or snowflakes, they are of a pattern set, but no two are identical, because of local influences like the materials involved, which are never precisely the same. A similar pattern was previously shown to form the Laramie Mountains in Wyoming and the Richat structure in Mauritania.

Discharge craters on Earth display the keystone pattern.

The blisters begin on the Baja Peninsula, and continue up the coast, eventually to become the much more energetic strato-volcanoes of the Pacific Northwest. These southern blisters are still-born volcanoes, whose energy was expressed in chemical outpouring from electrolysis, rather than the explosive convulsion of a sub-surface arc discharge. Even today, the region is hot and boiling, with several hot springs and even utility-scale, geothermal power production in the desert valley to the east.

The volcanic lineament all along the North American plate boundary, and other continental plate boundaries as well, is caused by electric current that runs the edge of the boundary as it drifts from beneath the plate. The continental plates are thick cratons of basalt piled with layers of sediment, and makes a collector plate to current welling from the Earth.

We can deduce this has to happen, because Earth is inducting electric current from the Sun at the poles and Earth doesn’t store it all. We know the crust forms a spherical capacitor in the path of this energy, and the patterned charge distributions that result from capacitance can be seen both in it’s geology and in it’s weather. The Keystone Pattern is one of several examples of tested, or testable phenomena caused by electromagnetism. Shock wave tetrahedrons are another. Tornadoes, cyclones and meso-cyclones are another. The alternating El Nino/ La Nina currents that influence the climate of the entire planet is another. These are all patterns of motion, phase and frequency provably caused by the planet’s own electromagnetism. We can also measure it, in the form of telluric currents and potentials, if we want to look.

The continents present extra layers of capacitance, which means they collect charge. That charge then leaks around the edges and self-organizes in a patterned E-M field, called the fringing field. Current flows in the fringing field, heating things up and wreaking havoc, like earthquakes and volcanoes.

The reason this region boiled and electrolyzed instead of bursting in volcanoes is due to the geometry of the Telluric currents in the fringing field. This has also been discussed before, in “Subsurface Birkeland Currents”. Fringing currents not only occur at the continental edges, but also criss-cross continents along old plate boundaries of the earliest cratons. This forms intersections in the current, called triple junctions, and creates cyclic current loops. There is also feedback input from electric storms, solar storms and cosmic wind. The net effect is the fringing currents are self-organizing circuits with functionality. A circuit of triple-junctions and ring currents with amplifying inputs is the description of an Operating Amplifier.

Op Amps switch current flows, directing current at each junction by amplifying, or resisting it. This region lies between junctions, in the “bridge” of the Op Amp, where the current was held to a lower level by the geometry of the circuit itself.

One triple junction is immediately south of the blisters we’ve been discussing, and can be identified by the Pinacate volcanic field in Sonora Mexico. Another is to the north near Mendocino, California.

Between these nodes the number of volcanoes is greatly reduced and are distanced apart compared to the continuous line of huge strato-volcanoes to the north of the Menodicino node. Likewise the profusion of volcanoes south of Baja node continues through and beyond Mexico. Between there is the Shasta, Lassen and Mammoth volcanoes and a few lesser eruptions, but not with the energy and density elsewhere on the lineament. Not coincidentally, this is also the exact same reach parallel to the San Andreas fault, because the fault is from a discharge inducted between these nodes.

North American and Caribbean Triple Junction loops

It all makes perfect sense looked at as an Op Amp circuit. The fault parallels the continental fringing field current. It’s at a shallower depth and came after the mountains were built, so came after the fringing field current. It connects between triple junctions in the bridge of the Op Amp, where current can bypass around the ring portion of the circuit. It creates a high voltage/low current situation between the nodes that induced a parallel current. This is sometimes called stray capacitance, because the induced filament is field aligned to the bridge current and it acts like two, thin linear plates of a capacitor. The induced filament sparked, creating the fault and still causes occasional earthquakes.

The entire Pacific coast and it’s features such as the San Andreas fault, the Sierra Mountains, San Juaquin Valley, the coastal ranges including the subject mountains, and even the Great Lakes on the other side of the continent can be explained in great detail by the electric circuits in the fringing field. But that takes us beyond the scope of Inkopah’s rocks.

The Rock

In case you think the idea granites are produced by electrolysis is crazy, please look into how elemental silicon was first produced. In 1854, pure elemental silicon was first produced in crystalline form as a product of electrolysis.

Sudden charge diffusion into a salt water aquifer beneath, or within layers of sand, perhaps still saturated having been dredged from the sea by tsunami, would evolve blossoms of oxygen by electrolysis that channel to the surface. Hydrogen would evolve, too. But being the smallest, slipperiest molecule, hydrogen would escape first, easily permeating through the porous sandstone overburden,. What hydrogen didn’t escape would cling to the sand giving it a positive charge.

The oxygen would follow, forming an ionic flow of current which would heat-up the channel. Electrolysis itself does not generate heat, but the current of ions, free electrons and chemical reactions would. It would boil and superheat the water, perhaps bringing it to triple point, where electrolysis more freely takes place. Oxygen would react with ions in the sand, especially iron. There is every evidence of this, as the rock and ground are suffused with iron pyrite, mica and the orange stain of iron rust. Everything was very hot, but not subject to the explosive thermal shock of arc discharge that vaporizes matter.

Granite, like 95% of all rock on the planet, is composed of silicon and oxygen in the form of silicates, like quartz. Almost all rocks are essentially silicon, oxygen and a small percent of other elements.

Oxidation is a reaction, whereby oxygen, in this case, gives up electrons to become a cation, and another element gains the electrons to become an anion. When iron rusts, the iron is oxidizing because the iron is stealing electrons to become iron oxide. Any metal, except gold, will oxidize.

Silicon is particularly wont to oxidize with oxygen to create rocks. Granite in particular is a conglomeration of the micas, clays, quartz and feldspars listed below.

Major group	Structure	Chemical formula	Example
Nesosilicates	isolated silicon tetrahedra	[SiO₄]⁴⁻	olivine, garnet, zircon…
Sorosilicates	double tetrahedra	[Si₂O₇]⁶⁻	epidote, melilite group
Cyclosilicates	rings	[Si_nO_3n]²ⁿ⁻	beryl group, tourmaline group
Inosilicates	single chain	[Si_nO_3n]²ⁿ⁻	pyroxene group
Inosilicates	double chain	[Si_4nO_11n]⁶ⁿ⁻	amphibole group
Phyllosilicates	sheets	[Si_2nO_5n]²ⁿ⁻	micas and clays
Tectosilicates	3D framework	[Al_xSi_yO_(2x+2y)]^x−	quartz, feldspars, zeolites

From Wikipedia:

They are all crystalline compounds of electrically bound silicon and oxygen.

Silicon melts at 2577 degrees F, 1414 C and boils at 5909 degrees F, 3265 C. However, it’s unlikely temperatures this high were reached.

Application of an electric field with both AC and DC current has been tried and proven to lower the melting temperature of silica substantially, even to only a few hundred degrees – temperatures one can achieve in a conventional oven. Therefore, if electrolysis occurred, the electric fields generated would have naturally lowered the melting temperature by helping disassociate the crystalline bonds and liquify it. The presence of water also lowers the melting/boiling point of silica.

Electrolysis is accelerated by heat, saltwater, and capillary action – all present. The reaction is especially helped if the water is supercritical. That could be the case for water welling up from the deep under significant pressure at a temperature that melts sand.

The piezo-electric effect of current in the rock crystal itself would have had an effect, too, amplifying the release of free electrons and literally vibrating the rock. Electrically, granite is an excellent conductor, a chemical sink for oxygen, and, under stress, a piezo-electric generator.

Essentially all the conditions to promote boiling and electrolysis are present, from the materials to the energy welling from deep in the Earth.

To show how easily granite conducts electricity, the following film produced by James Hammond shows coronal discharge across an air gap between a granite block and electrodes. Notice that current diffuses entirely through the granite,, expanding to reach the entire electrode on the bottom. Also note, these discharge filaments are little plasma tornadoes. This may give you some visual clue to what the granite cauldron once looked like.

Video courtesy of DiveFlyFish.

After some time, the coronal discharge begins to eat away the rock, forming conductive channels that starves current from the other filaments and focuses it ultimately into an arc-mode discharge. Jim’s experiment is reversing the process of granite creation by disassociating crystalline bonds and melting and dissolving the rock.

Only electricity can do that – both construct and destruct matter. Interference is always either constructive, or destructive. Which brings up the bigger question: What is your interference pattern – what energy do you project?

We live in a fractal universe of energy and information, holographically presented us from without and within. Look inside to find the universe, because every element of a hologram contains the entire image. Every element of our being holds the answer, if we let the signal through. And, our energy projects tomorrows pattern. The future is in our hands.

So let’s make it better.

Cheers, and best of luck.

Electric Earth, Electric Universe, Thunderblogs May 24, 2023

Granite Cauldron

Between the Borrego Desert and the pine covered peaks of Cleveland National Forest in eastern San Diego county, California, there is a domain of solid granite called the In-Ko-Pah mountains. The In-Ko-Pah’s have nary a tree; only coarse, manzanita chaparral that springs from chinks in the rock, like the hair of an armadillo. It’s a barren, broken land, forsaken to brooding hoodoos, rodents, snakes and decomposing granite.

Place names give it’s mood: “Valley of the Moon”, Devil’s Canyon, the optimistic “Boulder Park”, and “Coyote’s Flying Saucer Retrieval and Repair Service”. Most notable is the “Desert View Tower” in In-Ko-Pah canyon. The tower is made of the native granite, and stands Tolkenesque, commanding a view of the wizard’s cauldron around it.

As a child I remember the tower had a coffee shop. We never stopped, because “…we’re almost there”… there being still two hours away. I wistfully watched it’s golden glow, suffused with coffee and sweet-roll smells, pass from the backseat of a ’50’s Cadillac, a ’60’s Lincoln and two ’70’s Ford LTD’s. It presented a glowing warmth for the traveler, standing high above the road in this stark, alien landscape.

As it happens, I’m living here now. In a rural, mountain community called Potrero, which lies in this ‘cauldron of granite’ region, where I have taken the opportunity to look at the rocks.

What I conclude from observations is that these granite boulders are bubbles of boiled sand. Not hollow bubbles, but solid drops of granite, formed as boils at the surface of a hot fluid matrix. ‘Cauldron of Granite’ is an accurate description, as the energy came from below, and by electrolysis and thermal convection, boiled through layers of sand to the surface, liquifying the sand in the process, like one would melt metals in a cauldron.

As exemplified in these photos, many boulders look like the kind of candy made with drops of molten sugar. A viscous, thick material that quickly cools to form a skin that holds its drop shape, while the inside remains hot and liquid. The shapes are like frozen beads of molten glass.

Bubbles and drops take a cellular form due to surface tension that forms a skin around the fluid, and a pressure/density differential across this membrane. The bulging, rounded shapes suggest these formed in atmospheric pressure, rather than deep underground, as consensus science tells us. There had to be a lower pressure and density surrounding these drops as they formed to allow the free-form shapes, bound only by surface tension in the skin.

We will observe multiple other points of evidence that these boulders are electrolyzed boils, including evidence of how the mountains were formed and how they became electrified to boil boulder fields. In this, Part 1 of a 2-part series, we’ll discuss the Boulders. Part 2 will discuss the Cauldron and what caused these mountains to boil.

As we review the evidence and discuss the potential causes and processes, bear in mind the situational context of the Earth at the time. Earth was in upheaval due to some cosmic disturbance. The atmosphere and the ground, all through the crust, was charged. In some places, saturated zones eroded away, electronically machined by sputtering and arc discharge. Other areas had lower levels of saturation, where charge diffused through the ground and caused secondary and tertiary events at the surface that aren’t easily identified with something purely electrical. Thermodynamics, chemistry, fluid dynamics all conspire to increase the complexity of natures product. The granite cauldron is a display of such complexity.

The Boulders

Examination of the rocks, and the region as a whole, leads me to conclude the granite was boiled as a consequence of electrolysis in an underlying aquifer, where oxygen and hydrogen became segregated and channeled through layers of sand and water. The oxygen channels reacted with elements in the layers of sand, creating blossoms of hot boiling silicon compounds that solidified in contact with the atmosphere; suddenly cooling, re-combining and re-crystallizing as granite, but still in the shape of fluid drops.

The evidence to back my theory is in the shape of the boulders, which precisely conform to the shape of fast cooling drops and clusters of drops. In fact, the boulders conform to shapes made of melted glass – silica dioxide – which is what these rocks are largely composed of. They do not conform to the expectations of conventional erosion. There is also evidence in the topography of the coastal mountains, which display the clear patterns of a large discharge of current from the Earth.

This differs from the consensus theory which has granite formed deep in the Earth as a volcanic flow that didn’t erupt to surface, but became trapped under extreme pressure and temperature for eons as it’s crystals grew. Then an accordion-like action of the Earth’s crust, triggered by subduction of the continents, caused these granites to be shoved 5000 feet above sea level where they have been lashed by wind, rain and freeze for millennia to produce the polished and rounded, but sometimes square granite boulders that we see.

At least the consensus and I agree there was extreme heat from within the Earth. My boiling drop-theory suggests things pretty much happened all at once due to a high voltage electrical impulse diffusing through a sandstone aquifer.

Boulder Foam

Evidence the boulder formations are boils is their shape, as depicted in the images previously shown, where singular drops formed and froze. While some retained an ovular shape, they dehydrated and contracted as they cooled, often leaving conical or flattened drops. This is exactly what one expects from a hot molten drop that cools, dries and solidifies quickly.

More often, however, one finds clusters of boulders that were once co-joined, like bubbles in a foam. In a foam, bubbles and drops conform to each other, matching shapes across cellular membranes. It’s very obvious the boulders shown in the next set of images are clusters of drops that have dried and fallen apart, leaving matching surfaces where they were co-joined.

Segmented cells in clusters conform to each other.

Steam and other gasses exited the rock as it cooled. The expansion of gas and steam at the surface contact with atmosphere likely helped cool the surface faster, increasing the surface tension in the skin and causing shrinkage of the drop. As the drop shrank it separated into lobes, which further shrank and broke apart.

Comparing the boulder clusters shown, to the bubble clusters in the next group of images, one sees the same polygonal interfaces, the same segmenting and interstitial bubbles wedged between larger bubbles. The only difference shape-wise is that boulders are solidified drops, not bubbles, and they shrank as they dried causing segmented lobes to separate and fall apart.

When bubbles and drops cluster, those on the interior of the cluster tend to be polygonal shapes. Because the internal pressure between co-joined cells in a cluster is more, or less equalized, internal membrane walls experience no pressure differential and are flat. Outer cells in the cluster, however have a differential between interior pressure and the atmosphere, and therefore bulge. That is exactly how these boulder clusters are structured.

If one makes a symmetrical cluster of five equal bubbles, the one inside the other four will be a perfect cube. There are several examples of polygonal bubbles in the images shown. Singular boulders tend to be rounded, while boulders in clusters tend to be polygonal, especially the ones in the cluster centers.

The squared shapes and flat surfaces between boulders is proof they formed as drops in the atmosphere. This granite has no “grain” oriented in a certain direction, or any other internal structure that would cause them to break in a particular way as a result of earthquake or erosion. The only explanation presented by physics is if these rocks were clustered drops. A child can make a perfect square with soap bubbles. I challenge any PhD to do so with erosion.

Surface tension had to conform to the volume reduction, so one of two things happened. If the skin had cooled and recrystallized, it became rigid and further shrinkage of the hot interior caused the hard shell to break, leaving a sharp crack. If the skin was still plastic and viscous when the drop shrank, the skin conformed around the fluid interior leaving rounded edges. Most, if not all rock structures display one, or both consequences of shrinkage.

Separations that occurred from shrinkage after the skin ‘set’ into a hard shell, couldn’t conform and broke, leaving sharp edged cracks, as shown in these photos. These breaks tend to form an “S” shaped curve, not orthogonal segments.

Drops in clusters, with membranes still soft and pliable, show rounded edges and concavities where drops separated and shrank. These cellular segments tend to break parallel and orthogonal, at specific angles particular to each cluster.

The angles, or dip of the horizontal surfaces vary widely. It seems likely some force was pushing some clusters over, like the wind, or gravity was making them topple. The angles from one cluster to another are not consistent, which suggest variable winds, something perhaps expected over a boiling cauldron.

Another compelling evidence these boulders are boils is the columnar geometry of the largest structures. The segmenting is cellular, as already discussed, caused by cooling, shrinkage and surface tension related skin effects. The columnar shape, however, indicates convection. Vertically elongated, clustered polygonal columns are a known effect of heat convection, called – what else: convection columns. What is boiling? A process of heat convection.

Flat surfaces are left where bubble walls pressed in tall squarish columns, and then fell apart after cooling, shrinking, cracking and segregating. Everywhere boulders are co-joined, or conforming to each other in shape, interfaced with puzzle-piece concavities and bulges, because they were fluid and plastic during formation.

The granite boulders are visually patterned precisely as one would expect a viscous, frothing fluidized matrix to look if it were frozen mid-boil. Compare these formations to viscous drops, bubbles, foams and boils of various fluids and you can find analog formations with these shapes and features.

Look at the sequence of images below, and it’s apparent how the bubbles separate. It begins with a thin crack where a shrinking drop begins to segment into smaller drops – top left and bottom. Then drops begins to separate, and the edges round-off along the seam in fluid manner, like a bubble. And then they separate completely, like water balloons. These are examples of shrinkage when the skin is still plastic and molds around the cooling drop of molten material.

The drop segments as it cools and shrinks

Another evidence for boils are top hats – one boulder directly atop another. Consider a viscous, molten drop where the surface rapidly cools and crystallizes to a semi-solid crust. And then more hot fluid pressures up inside, but the bubble’s crusty skin can’t expand, so fluid gushes out the thinnest skin of the bubble at the very top, thus creating a new bubble stacked atop the old. In the case of a cluster of bubbles, they can stack into columns.

A similar feature is the necklace, where interstitial drops seep-out around the base of larger drops, forming a beaded necklace.

One evidence I consider irrefutable is the “water-balloon effect”. The next group of images is of the same rock structure from different angles. I’ll just point out the obvious. The top, segmented rocks were once fluid sacks, like viscous water balloons that erupted out the top of an older boil and flowed down it’s back before shrinking, segmenting and solidifying.

Opposite the dripping side of the balloon is a concave side where drops in the cluster pressed against other drops that have since fallen away.

Wind, I suspect, flattened and pressed these bubbles together forcing the concavities instead of forming the more typical orthogonal cracks and separations seen in the majority of boulder clusters. The inner folds of the concavities have fluid ripples – the actual impression of turbulent waves and ripples in the separating skin between bubbles. I interpret this as an indication wind, seismic, or some other cause was vibrating the bubble.

Ripples and waves in inner membrane due to vibration.

In the following gallery are several more examples where drops in a cluster pressed together, leaving concavities beneath overhanging ‘water balloons’:

There are multiple other patterns in the rock that display fluid/drop/bubble behavior. Large waterfalls of rock can be found where a molten mass erupted from the flanks of a mountain and sheet-flowed down it’s side, like a volcanic lava flow.

Liquid granite bulges and pours from mountain flanks in frozen sheet flows.

Close examination of sheet-flow patterns show even more evidence, such as the appearance of standing waves.

The pattern of a viscous river shows where flows joined to form standing waves:

Looking at the foot of the granite flow, it resembles the foot of a glacier, or lava flow:

Foot of sheet flow resembles foot of glaciers

Perhaps the most compelling, singular example the rock formed as a boiling fluid, and suddenly froze when exposed to the atmosphere is shown in the next example. Here, liquid rock has poured out the side of a pillar and froze like a faucet of running water.

This next photo shows the same thing – a pouring outflow from a standing column:

Pouring outflow spilled down the right side and pooled below.

Like injection molds, the rocks have nubs and tubular pour spouts where fluid passed between cell structures:

There is something to be said about the regularity of how rocks section in proportion to their volume, as if there were a frequency causing a harmonic response in the body of the rock. It could be a seismic vibration from the fluidized, boiling cauldron itself, or it could be from sonic shock due to atmospheric winds. It’s also possible that the piezoelectric effect of current in the crystallizing skin of the boils caused vibration.

Harmonic resonance seems to play a role in how drops segment.

Many questions remain to be answered about how this rock formed. The atomic and chemical reactions are complex given the unknown amounts of current and potential involved, the profusion of elements involved and the unknown state of Earth’s atmosphere. Even Earth’s orbit and what it orbited around at the time these rocks formed is unknown.

One thing for sure, however, these rocks formed in atmospheric pressure. There is no possible way these shapes were produced while confined deep underground. Nor is it possible they were produced by any form of erosion. The forms were caused by a viscous, plastic fluid confined only by surface tension. Their shape is self evident. There is no argument that can be made to deny it. They look like drops and bubbles because they are.

There is a reason boulders boiled from the Earth east of San Diego. To understand how this happened, Part 2 of the Granite Cauldron will look at the mountains themselves and how they formed.

BORDERLANDS, Electric Earth, Electric Universe February 19, 2023

Shine On, You Crazy Diamond!

This week I received the news of Wal Thornhill’s passing. I wish to pay tribute with this article. Wal was a mentor to us all in the most important field of all – the true nature of our universe. Wal’s many theories and predictions succeeded because he sought the truth. Not for credentials, funding, accolades, or power; he sought the truth for the sake of knowing – as we all should. It’s the true intent of science. It’s a true source of joy.

I began this article, weeks ago, to discuss the truth. It was never intended to be about Wal. It was, and still is, about truth seekers in the Electric Universe. “Shine on, you crazy diamond” is an ode to garage experimenters, theorists, scientists and deep-thinkers everywhere who are grounded and harmonized with natural frequencies. But Wal is the epitome of such people. No B.S. got past Wal – believe me, I tested him. So, the title now takes added meaning – as things always do in a fractal universe.

How do you know the truth when you see it? It’s because you recognize a pattern. You trust yourself to know what you are seeing, hearing, or feeling. You know because it resonates within you. A pattern from memory, like a mother’s face, is a pattern that harmonizes heart and soul, and you know. There is no doubt, the instant you recognize Mom’s face, or whoever is your closest, “every bone in your body” knows it. It’s something everyone does. But it isn’t work of the conscious mind. It’s the work of an observant state of being. It involves every sense, conscious and unconscious, mind and body; the whole antenna resonates.

Like riding a bicycle, your mind doesn’t tell your body how to keep balance. It just does – as long as you stop thinking and just pay attention.

When I first stumbled into the Thunderbolts.project, I didn’t have a clue what I was going to write about. I just knew I found the right place. In the first weeks I binged on Thunderbolts videos, especially Michael Steinbacher. I watched all of his. As an engineer with a smattering of geology experience, it made sense to look for electrical evidence on the Earth. After-all, it’s accessible, more-so than telescopes, particle beams and buzzy, high voltage labs.

Michael’s videos led me to an addiction: Google Earth. I’ve always had a thing for maps. There are patterns – always patterns, whether looking at highways, cities, airline routes, or topography – there is a wealth of information in the patterns. Earth’s topography is patterned. I could not put a finger to how, or why, but I could see patterns that stretched for thousands of miles that had no ‘reasonable’ explanation. There were repeating patterns, geometric patterns. Some patterns were similar to other planets, yet others were unique. There had to be a reason. I had already dismissed conventional thinking at this point, of course, and reasoned these features must be electric. We see, plainly, electrical scarring on planets and moons, and the electric atmospheres of the gas giants. So it must be on Earth – but why does Earth look so complex.

I stumbled, again, always stumbling, into evidence of shockwaves on hillsides. It came about because I searched “craters” and found a blog by a guy who was a demolitions expert. He was writing about shockwave features on hillsides near his home and proposing they were crater rims. He recognized harmonic tetrahedral patterning caused by sonic shock because he’ d spent a career in the military analyzing the blast zones of heavy ordinance. He was a man who knew shockwaves when he saw them.

As a mechanical engineer, I have a good amount of experience with such things myself. Shockwaves – yes, but more importantly, I’d learned to listen to technicians like this guy. The operators, the mechanics, the people who are hands-on. If you want to know the process, don’t ask the people who manage it, ask the people who operate it. Beyond already knowing something about “shock diamonds”, I innately trusted this guy knew his patterns, even though he had no academic credentials.

I began searching for these patterns. Lo and behold, they are everywhere. Not only did I find harmonic tetrahedrons, created by compression zones called “separation bubbles”, formed where a super-sonic wave impinges on a surface. I found multiple features of fine detail distinct to shockwaves embedded in rocks, mountains and entire mountain chains. Scalable, harmonic, self-similarity plastered across the global landscape everywhere I looked could only be from one cause: sustained plasma storms.

I finally had evidence, from personal investigation – from a position of knowing – what caused patterns, at least many on Earth, and that we indeed live in an electric universe.

Only a charged environment could develop supersonic winds that could freeze rock in-situ in the precise form of the shockwave. Coulomb force and recombination is the only process that makes physical sense. A dusty plasma environment would accelerate winds to supersonic speeds, rippling the landscape wherever shockwaves reflected and segregating winds by step voltage and ionic density. To produce what I witness on Earth’s crust, Earth’s atmosphere had to be a rainbow-banded chemical soup, like Jupiter’s atmosphere. There had to be several global storms to produce the layers of geology and episodic fossil evidence of extinctions – a recurring nightmare.

And since I’ve written several articles showing the shock features in detail, showing self-similarity between Jupiter’s storms and landforms on Earth, and exploring many other geologic examples of electrical formations and scarring, I know what I’m showing you is the truth. The patterns speak for themselves. My explanations may suck. I may not describe the electric circuit properly, or organize my streams of consciousness well, but the geology is there, Jupiter is there, winds, storms, rocks – it’s all out there to go look at for yourself. The data I use is open source, available to anyone with an internet connection. One can research shockwave patterns, standing waves, separation bubbles, and anything else I write about with a few clicks of a mouse.

You can see the patterns for yourself. It’s the only thing that will invoke faith, because that is what knowing the truth comes down to: faith. This brings me to the point. Faith is how you know the truth. Faith in yourself. Do you believe your lying eyes?

I’m not speaking about faith in God, although that is the ultimate faith. I’m using a small “f” faith to mean conviction in any particular realm, such as the faith one has they can unerringly find their mother’s face in a crowd, or ride a bike. It’s a reliance on all of your senses, conscious and unconscious. You recognize the pattern, and your gut, heart and soul resonates. It feels right. It’s common sense. When you know, you know.

How else can one know they are objective unless they know and trust themselves? It’s an internal thing, to be confident in oneself, and the only way to satisfy that is to see, hear and feel for yourself. Relying on someone else’s word makes one a parrot.

Now this brings to question, how can I have faith I know what I’m seeing when pretty much the entire world of academia ‘knows’ I’m wrong, and that tectonic forces like subduction, expansion and uplift created mountains, plus billions of years, blah, blah, blah.

Because they don’t show you anything but drawings and models. They can’t explain, or even try, the fractal forms; the harmonic repetitions; the phase-angled vectors of frequency interference. Their explanations don’t explain; they describe processes that no one has ever seen. The one thing they never talk about is electricity in circuits, which is like explaining life without mentioning breathing. And if you dig down to their fundamental assumptions that underlie the whole house of cards, you’ll find it’s based on unfalsifiable, “billions and billions of years”, dark energy-type dreamed-up concepts force-fed by whatever humpty-dumps were in-charge.

In other words, to believe them is to trust them rather than yourself. And they’re idiots.

I also know, because I worked in the energy industry, that much of science is political, not truthful. It’s marketing – it’s meant to persuade you, not inform you. This corruption is pervasive throughout quakademia.

If you seek the truth, without fear, or bias, you’ll know when you find it because you’ll find confirmation. It will present itself – you just need to be aware. A week ago I camped on flat “alluvial” plain covered in gravel near the Colorado River. I knew the plain to be a windblown feature created in the arc-blast of a discharge event. It had nothing to do with an ancient river bed as consensus theory would have you believe. So, I began examining the gravel. It was predominately typical river rock, rounded by water erosion as consensus theory goes. But as I picked up rock, after rock, a specific pattern became evident. Many, if not most of the rocks I looked at had a flat side.

One side indeed was rounded and polished, as if washed by sand and water, but one side was flat. Which entirely confirmed my expectation, because I suspected such gravel to be the result of rock rain. These “river rocks” fell like rain after being blasted into the sky as molten glass and reconstituted as drops and hailstones. The ones that were still hot and molten inside, but had a cooled crust, landed like pudding drops, making the flat bottom; and the top exposed to winds, still screaming, made elongated and rounded streamlined tops to the drops. You know these rocks. They’re the best ones to skip.

The flat bottom is the tell. Water erosion doesn’t explain that. The rock rain was a pleasant surprise. I wasn’t looking for it – it was just there where I camped. This happens almost continuously from things as mundane as gravel, because the entire planet is evidence.

One will also find along the way people like the demolitions expert, who’s blog and identity is somewhere in the way-back machine (I’d like to thank and credit him). Obscure blogs and videos arrive in my streams weekly that either inspire new insight, or confirm a prior postulation. Seek and you will find, because that is part of the pattern.

I watch YouTube channels with less than 500 subscribers who know better than professors; people with no academic background but with curious minds who examine magnetism and electricity with products from e-bay. I listen to people with spiritual connections, who’s faith comes from experiences scoffed at by consensus science. I read random articles in the news… find rocks here and there. I live a continuous stream of synchronicities. Information specific to my questions arrives at my doorstep, as if asking the right question is all the invitation Nature needs. The universe wants to show itself to those who want the truth. Evidence is everywhere.

Personal observations led us to know that the Universe is electric. We all recognize the obvious: plasma nebula, swirling galaxies and everywhere the blaze of electro-magnetic balls of discharge called stars. We can see what a crater really is, and therefore lose no sleep wondering why so many are hexagonal. We know, thanks to Halton Arp, that redshift isn’t a measuring stick, and his evidence alone makes the whole Big Bang thing nonsense. We know weather and climate is the Earth’s circuitry in action, and therefore are not shamed by our carbon footprint.

What binds us all is truly electric. The ether flows through us, as the light and warmth that generates the hologram, so there must be a common carrier wave at it’s frequency we all receive. Wouldn’t any creature evolve the ability to ‘hear’ it, given it’s all encompassing pre-imminence? Notwithstanding the uniquely human inability to listen, it seems a natural thing for life to feel that energy. Think of the mysterious animal behaviors, like foreknowledge of severe weather and earthquakes. A pet knowing when a master is on the way home. Telepathic signals are real, IMHO, and they have a physics. One must acknowledge an ether, however, and look inward to find how to tune-in.

In this regard, we are all scientists, by my definition. We each took a look and said that’s electric, because it so obviously is. Recognizing the obvious is critical thinking. Manipulating math to invent invisible forces, energies and matter is, of course the ultimate woo. One can make math simulate anything if you make the rules.

Truth comes about due to intent. Truth is accessible to anyone with the unflinching intent to find it and speak it, because it’s out there waiting for you. As more people become tired of the BS, they will look for new answers. I expect many will find us.

I expressed this expectation to Wal late last year in a few brief email exchanges. He agreed the future will be amazing. He also said keep finding the patterns. Why I think this is a fitting testimony for Wal, is because he and Dave created this environment to explore truth. That is his legacy.

Cheers to anyone who follows it. Shine on, you crazy diamond!

Electric Earth, Electric Universe December 27, 2022December 31, 2022

Cosmic Resonance

Proponents of Electric Universe Theory face one, seemingly infinite wall of resistance: the false preconceptions cemented in people’s minds by consensus science. We do not see the cosmos the same way materialists do.

Fundamentally, the cosmos is energy. Energy is kinetic motion, or potential motion of matter over a distance. But matter itself is potential energy – so, it’s just all one thing – energy. An Electric Universe is one of energy transformed from kinetic to potential by standing waves of constructive interference. Matter “particles” consist of holographic, plasmodial interference patterns – standing waves in other words – that form the ether. Each standing wave is itself a circuit of energy, shaped by it’s frequency. The shape of matter conforms to the shape of energy flow, and the shape of matter forms circuitry that anchors the shape of energy. It’s a feedback loop.

From our perspective plasmoids are electromagnetic bubbles of potential energy, and hence the perception of a “particle”. On the inside, they are whirlwinds of trapped energy patterned into an infinite, cyclic circuit. This circuit creates polarity, angular momentum, exchanges energy with it’s environment by induction, and maintains structural integrity with a membrane of capacitance. It’s internal potential maintains resonant balance, and therefore is in constant feedback, with it’s environment. It is an RLC circuit.

This circuit pattern repeats, in self-similar, scalar harmonies from the sub-atomic scale to the supra-galactic. Therefore, an Electric Universe is luminous bubbles within bubbles; circuits within circuits; harmonies within harmonies vibrating a constant energy from within, in resonance with everything without.

Electric Universe eyes see the cosmos is circuitry that patterns energy, frequency and vibration. Circuitry is life. The feedback loop is universal. Entropy is energy dropping an octave. Infinity means as big as it needs to be. Gravity is an emergent consequence worthy of study, not worship. And we don’t divide by zero.

Minds that imagine energy as chunks of stuff bouncing around are unlikely to consider repeating, scalable, fractal interference patterns as evidence for anything but the “mysteries of nature”. They have been groomed all their lives to think what matters is matter. They will remain befuddled by “duality” and haunted by “entanglement”. They will disavow longitudinal waves and the ether.

It’s why consensus science can’t explain ubiquitous patterns at every scale in the cosmos, like the Fibonacci sequence, or the Mandelbrot set. It’s just physics, but they try to sweep such evidence of circuitry in nature under the rug by calling it a mystery – as if it’s something beyond science. It is they who have gone beyond science – beyond falsifiability – with dark stuff, wormholes and multi-verses.

Breaking out of the “mold” that poisons quacademia, and hence the greater population, requires more than waiting on it’s internal decay. Although that is happening at an accelerating pace, there is still a need to reorient people’s minds to reality. They need new physical models they can visualize.

Fortunately, great minds have already blazed a path. Their message has just been suppressed. I’m talking about people like Faraday, Maxwell, Heaviside, and Steinmetz. These are names that need no introduction in the Electric Universe. But let’s add one more: Hans G. Schantz.

Hans G. Schantz is with Q-Track Corporation of Huntsville, Alabama, and has written a paper titled “On Energy Flow in Standing Waves”. In this paper, Hans rediscovers the enlightenment of our electric pioneers. This paper examines the underpinnings of electromagnetism appropriately in the context of wavelengths, frequencies, amplitudes, harmonies, and the patterns that emerge as originally studied by the luminaries mentioned.

In particular, this paper explores the Poynting-Heaviside interpretation of energy flow in electric circuits, which basically says the energy isn’t in the copper wires of a circuit, but flows through the electromagnetic “lines of force” around the wires. This is quite different from the conventional concept of electrons channeling through wires. This paper demonstrates, however, that the Poynting-Heaviside interpretation is correct.

This conclusion should be no surprise in the EU community, however it’s critically important to understanding the motions of a dusty plasma in free space. It’s critically important for people who’s concept of electricity is confined to the wires they plug into their appliances.

The convention in science and engineering is to model electric circuits from a “far field” perspective. That is, to measure voltage, current and resistance from point-to-point and ignore how the “electron” travels between. The scientists mentioned in particular, developed methods to approximate with simple math what otherwise was too complex to be useful. But fidelity was lost about the pattern of actual energy flow, and hence the very perception of it, even for engineers and scientists.

The paper illustrates the flow of energy and impedance, in concert with voltage and current, as a result of standing waves formed in the EM field in a simulated two-phase system. Although this is a very simple model, the patterns of energy flow are similar to patterns found in geology created by electromagnetic waves. It illustrates how energy flows like water, changing direction in zig-zag patterns and circulating in whirlpools. These intricate, turbulent motions are ignored by convention. We cannot afford to ignore them, however, if we want to model weather and geology, or anything else, for that matter, in nature.

As we’ve shown in previous articles, plasma storms patterned the face of the Earth by raising a global dust cloud and re-applying the constituents in patterns formed by electromagnetic forces. In other words, Earth is an electro-plated planet. We have shown and discussed significant evidence that supersonic winds molded mountains, leaving distinctive, in fact, unambiguous patterns of shockwaves. We’ve shown and discussed evidence of canyons formed by sputtering discharge. And we’ve shown and discussed river channels formed by ground-to-ground, arc-mode discharge and the evidence of resonant frequencies, Hall effect, stray capacitance, line-to-line phase vectors and other identifiable geometric effects in the discharge patterns. These are all “near-field” effects that are not captured in conventional far-field analysis.

Wind effects, in particular, are patterned by energy and power flow, and hence conventional far-field methods won’t work. A quick dimensional analysis says wind is mass forced to move over distance (energy), over time (power). To model the patterns of dusty plasma winds requires the methods of Messrs. Poynting, Heaviside and Schantz.

On Energy Flow in Standing Waves

Before you click to his paper and die a small death at the sight of many equations, scroll past to the illustrations. Anyone who can see the patterns sees the result of electromagnetic forces, regardless of whether the equations are understood. I have included samples of the figures below for discussion.

Sample illustration from ResearchGate: Sample illustration from ResearchGate: https://www.researchgate.net/publication/265849380_On_Energy_Flow_in_Standing_Wave

Energy flows a more tortuous path than conventional models imply. It makes right angle turns, and eddies around pools of impedance into “Z” pattern flows like water in a rocky stream. Just like shock waves reflect off of shock waves, EM waves reflect off of EM waves, creating interference standing waves in odd places, harmonics and travelling waves – transient standing waves. Geologic evidence of wind patterns left by supersonic shock waves, and many other features, confirms that plasma winds filamented into linear, “Z” patterned, right angle and circulating cyclones patterned by electromagnetic fields, as well.

Examine the interference patterns in figure 5 from the paper, and take special note of the Total Energy and Impedance diagrams.

Sample illustration from ResearchGate: https://www.researchgate.net/publication/265849380_On_Energy_Flow_in_Standing_Waves

The same type of energy flow molded the Laramie Mountains around the spectacular “X” discharge pattern at the heart of the range. Although the patterns are not identical to the examples in the paper, the angular relationships patterned in the landscape are the same because it was also created by an orthogonal, electromagnetic field interference pattern.

The patterns are more complex than the simple 2-phase simulation, but so was the electromagnetic field of the plasma storm that created these mountains. The storm generated an electric field between the sky and ground at this particular location on the continental divide because of tension between circuit domains forming the Mississippi, Colorado and Snake River watersheds. It was this ‘hot spot’ in the ground that drew a response in the atmosphere by building a thunderstorm – one of Zeus’ finest.

Wind patterns, indicated in blue, show the path of energy-flow along “lines of force” which we now know are interference patterns in a multi-phase EM field. The wind energy travelled in straight-line filaments at angles roughly 30 – 45 degrees offset to the orthogonal “cross”, just like the “impedance” is offset from “total energy” in figure 5, and for the same reason. The ground discharge pattern that made the orthogonal cross presents the ‘ground phase’, and the tropical layer of the storm cell above it presented the opposite end of the electric field, or the other ‘plate’ of charge density in the capacitor, and the ‘other phase’ in the EM field for this circuit.

The cross itself is a discharge between the three ground domains and is anchoring the location and establishing the frequency of the circuit. As the discharge cycled from peak-to-trough it presented a standing wave of maximum impedance/minimum voltage to the plasma winds. Plasma winds were biased positive and the ground negative. Winds were drawn by reactive energy flows of electric field inductance (capacitance) and magnetic field inductance, both leading and lagging the pulsing arc-mode discharges on the ground. Magnetic field inductance drew filamentary jet-streams towards the center of the cross, and then up, into the storm’s center. These jet streams followed magnetic waves, vectored in the direction of the waves motion, perpendicular to “lines of force”. Electric induction drew winds in curving paths, field-aligned with magnetic “lines of force”, as shown in the figure below, and these winds deposited dust where ground charge attracted it in the act of electro-plating.

The patterns formed by a dusty plasma are also influenced by the dust itself. The difference in ionic mix, and the influence of magnetic, or diamagnetic particles might make the difference between a clockwise, or counter-clockwise turn, or a fast or slow wind, or whether it sticks to the ground-charge densities at a shock-wave, or blows right through.

So to summarize, the orthogonal relationship of alternating electric and magnetic fields yields an “X” shaped constructive interference pattern of maximum reactive energy flow, and a vertical “cross” shaped minimum energy pattern of maximum impedance. This pattern is repeatable, scalable and expressions of it are identifiable throughout nature.

The take-away of this paper and what it illustrates about Earth, is the phased interplay of reactive power in the EM field between sky and ground. The sky is reactive, lagging in phase to charge concentrations first established in the ground. Lightning, tornadoes and storm cells are phase-to-phase discharges in a multi-phase circuit, not DC dielectric breakdowns, nor anything to do with CO2. That is why consensus science can’t understand weather.

The Earth, like everything else in the cosmos is a pattern of energy storage and flow. Follow the energy to any answer. That’s how it’s done with, or without math. One can feel energy.

When you add the complexities of spherical geometry and how waves propagate and interfere on a spherical capacitor that inducts energy from the poles, definable patterns appear. Take for instance these images of Iapetus:

Iapetus has no atmosphere, or internal geo-electric dynamic. What happened here was a direct current event, however it serves to illustrate ground currents. What is obvious is a meridian of raised rock, called a dike, running from one pole to the other. A quarter turn (90 degrees) around the moon is a similar pole-to-pole meridian of aligned craters, highlighted by the limb. Another, smaller meridian of craters runs roughly between the larger craters and dike (about 30 degrees above the dike). Each is an expression of charge densities formed by filaments of current.

Immediately, one should notice the quadrangle formed by interference. Here, from a polar aspect, the dike and major crater meridians parallel a quarter rotation apart from pole-to-pole, with a minor meridian of craters between. It is a similar, 3 dimensional quadrangle of power flow as the paper depicts in two dimensions, where the quadrangle is formed by constructive interference and then divided into eight sections by destructive interference (impedance). Each section forms it’s own pattern of charge densities, because each section acquires a different ratio and vector of electric and magnetic field inductance due to phase and frequency differences.

The craters formed on radial currents emanating from the moon’s interior and aligned along these meridians as they passed through the crust. They formed destructive interference – cathode spots – on the spherical field of the crust where energy deconstructed matter. The dike, on the other hand is a meridian filament of constructive interference on the crustal surface that ran like a wire from pole-to-pole. Constructive interference means energy aggregates matter, where positive and negative ions came together and recombined. The energy was entering one pole and leaving the other, but reflecting it’s internal flow into multiphase interference which patterned standing waves of voltage, current and impedance from within to created these distinct, geometrically aligned filaments as a rise in internal energy exceeded the capacity of the body.

Atmospheric planets especially show consistent patterns of energy flow in their weather due to multi-phase reactive energy. The “V” patterned winds on Venus, the magnetic shadow on the Sun, and the continental formation of North America shown below, are all the consequence of energy flows from a body that is inducting energy, storing it in layers of spherical capacity and expelling excess through it’s own dynamic electromagnetic fields, forming these predictable interference patterns.

Ground charge densities caused shield volcanoes to lay the continent’s foundations on Earth, and weather layered sediments on top, shaped by the same reactive energy flows and interference patterns because the plasmodial circuitry in Earth, Venus and the Sun are very similar. These patterns come and go. Other patterns emerge. Nothing is constant. But the patterns recur. They are interference patterns from internal circuitry that has it’s own cyclically operating switching mechanism.

It’s obvious, if you think about it, assuming you accept electrical formation in the first place, that Earth’s land masses must be patterned by forces from within. If they were not, how would diffuse energy from space create the complex geography we see? By applying the same physics described in this paper, one can determine fine detail about geology on Earth.

The cycles of catastrophe in Earth’s past left patterns of plasma winds, sputtering and arc mode discharges, shock waves and fringe effect currents around the continental plates, all patterned by Earth’s own energy flow. Each episode laid a new layer on the old. Each layer, if properly interpreted, will yield a clear picture of what happened. Were there comets and asteroids colliding with Earth in cyclic patterns of recurrence? Or did Earth switch it’s circuit patterns periodically, perhaps due to Solar influence? These are answerable questions. In the same way one can interpret prevailing wind patterns from the shape of a sand dune, one can interpret virtually any hill, or dale on the planet. A record is retained in Earth’s geology like a holograph, because it was formed by standing waves.

Now, thanks to the work of engineers and scientists, like Hans G. Schantz, who are brave enough to challenge the consensus, we have the beginning of models to re-interpret our world. We can go to work re-writing science.

Cheers,

Electric Earth, Electric Universe March 5, 2022April 11, 2022

The Keystone Pattern

Gareth Samuel is a science educator and frequent contributor to the Thunderbolts Project. He also produces an outstanding video series on Electric Universe theories that aims at the very heart of science. He chose the perfect title for his YouTube channel: “See The Pattern”. If a repeating pattern emerges from Nature, we should recognize it as significant. To truly understand it, we should be able to explain it’s cause and effect and reproduce it. Seeing the pattern and discovering it’s cause and effect is what science is. The “proof” is in recreating the pattern. Not by subjectively programmed and data-fixed mathematical models, but by physical demonstration of the physics involved.

This essay presents a challenge for those with a knack for playing with electricity. I’ll show you a pattern. I call it the “Keystone pattern” because it is a pattern of “key” significance. It’s effect can be found in geology, so it’s written in “stone”. It is a pattern that results from electrical discharges. I will show you this pattern and explain it in the best, plain-language detail I can. Then it will be up to you to reproduce it. It shouldn’t be hard.

In fact it’s been done before. You may know the pattern as the “crooked smile” if you’ve followed the Electric Universe for several years. Michael Steinbacher and Billy Yelverton produced the pattern in image shown. I believe it was Michael that called it the “Crooked Smile”. I’m giving it the “Keystone” name because the “smile” is only part of the pattern.

Michael intuitively understood this pattern was the result of a multi-phase discharge. He was trying to reproduce the shape of Valles Marinaris on Mars. He assumed, correctly, that by creating a discharge in Billy’s laboratory with the proper set-up, they could reproduce Valles Marinaris, and they did. Unfortunately, they didn’t explain their experimental set-up, so we’ll have to guess.

My guess is they laid a metal plate on a table, to form one electrode. They covered the metal plate with a dielectric plate, probably glass or plastic, to add resistance and enhance the reactive power. Then they hung another electrode a few inches above the plate and covered the plate in sand.

I believe they then took two leads from a 3-phase power source, stepped them to high voltage and connected one lead to the plate and one lead to the hanging electrode, creating a point-to-plane electric field between two out-of-phase circuits.

The pattern is caused by electrical induction currents that spread out in the horizontal plane from the vertically oriented, multi-phased discharge between the electrodes. These type of induction currents are called “reactive power” currents. You can think of it like aiming a firehose at the floor. The stream of water from the nozzle is an analogy for the vertical discharge current. In terms of electricity, we call that real power, because it’s going where we want it. The water that splashes from the floor are reactive currents, or reactive power currents in the case of electricity., that are splashing across the electrode plate.

The stream of water hitting the floor is like electrical current hitting resistance. Reactive power is the energy of currents that get re-directed by resistance. The “splash pattern” that reactive power makes is peculiar, and very specific to electro-magnetism. Unlike water that splashes away vectored by kinetic energy and gravity, an electric current generates moving electric and magnetic fields that vector its reactive energy. So, it generates a repeating fractal pattern. Reproducing it in the lab is as compelling as scientific evidence can get.

It’s also compelling when you can find it in Nature over and over again. We are going to use it to identify several electrical craters here on Earth, and doing so dispel the silly notion that Earth has been bombarded by asteroids and comets. Here is the Keystone pattern:

The pattern occurs over the duration of the discharge, while it is in contact with the ground and making a complete circuit. Over time, the voltage vector of reactive power shooting out from the focal point, rotates around the pattern like the second hand of a clock, pointing to all points on the compass, only it sweeps around counter-clockwise instead of clock-wise. The current that follows this voltage vector lags behind it, like the minute hand of the clock chasing the second hand, but never catching up.

At the same time magnetic fields are pulsing outward in concentric waves from the focal point and inducing current to follow it. This sets-up an interference pattern of positive and negatively charged regions around the circle formed by the induced currents, where the sand grains which also carry charge are either attracted or repelled. It is much like a cymatic pattern created by a particular frequency of vibration, only this is caused by induced, out-of-phase currents. Where the charge on the plate is the same as the sand, the sand is levitated away, which is technically called sputtering, to region of opposite charge where it sticks to form a mountain.

The Red Cross – represents primary reactive currents that “splash” at particular vectors from the discharge focused at the center of the X. C is a filament of electric induction, or capacitive reactive current. L is a filament of magnetic induction reactive current.

The Green dashed circle – represents “stray capacitance” generated in concentric rings around the focus of the discharge by magnetic fields. These are rings of step-potentials expressed as hills and valleys, mountains, or crater rims in geologic formations.

The Blue Lines are the “crooked smile” and portray induction currents following the electric, or magnetic fields, or both.

On the left hand quadrant formed by the Red X, electric field induction dominates and the current flows straight to the encircling ring and makes a 90 degree turn to follow parallel to the ring, because the capacitor ring is a standing potential wave in the electric field.

The quadrant on the right is the magnetic induction dominated region, so current streams out perpendicular to magnetic field lines, induced by the magnetic field. These lines intersect the green rings at 90 degrees.

In the center, through the top quadrant are Bars of Blue. The bars are unipolar winds that drag straight across the focal point of the discharge. They are probably the easiest to identify feature of reactive power currents.

The “crooked smile” is a fractal circuit pattern of capacitive and inductive eddy currents in these particular quadrants of reactive power. The direction of current flow can go either way, depending on polarities, so I don’t usually show arrows in diagrams.

The top and bottom quadrants are where reactive currents form updrafts and downdrafts. The Yellow Star in the top quadrant is a downdraft current, and the Pale Green Swirl in the bottom quadrant is an updraft. These would be tornadoes and downbursts of plasma wind and lightning. They generally leave circular patterns of depressions, or hills. The next image shows the same features more fully annotated.

Note how the right-side magnetic induction currents (IL) meet the encircling capacitance at 90 degrees, while the on the left, capacitive induction currents (Ic) bend 90 degrees to parallel the encircling capacitance. Note also that the upper half of the right and left quadrants are more inductive, with tendrils crossing perpendicular to the encirclement, and the lower halves are more capacitive, with parallel flows. The left, or capacitive quadrant will sometimes develop “Z” shaped currents, with current alternating it’s vector between magnetic and electric fields.

The top and bottom quadrants produce up and down currents (through the page) that encircle the crux of the discharge in a ring, or toroidal current. The Yellow Star and Green Swirl are the face and footprint of this current. For those interested in math and fractals, phasors are calculated with complex numbers. The complex numbers have irrational number multipliers in the equations that apply to these top and bottom quadrants. So it can be said that weather is irrational.

The action of eddy currents is better understood with the following .gif illustration that portrays the magnetic flux generated by the discharging current. The left-hand side of this ‘compare’ image shows the field lines of magnetism created along the ground plane at 90 degrees to the discharge. The right-hand side (you can slide the divider to compare either side) has black lines indicating the path of induced, reactive eddy currents created by the magnetic flux.

Magnetic field and reactive eddy currents.

I first discovered the pattern while examining the Laramie Mountains in Wyoming. The pattern can make a crater, or a mountain, depending on polarity. I published two articles on these mountains last year. It wasn’t until this year I recognized that pattern I found was the same as Michael’s crooked smile.

The Laramie pattern was caused by a plasma meso-cyclone – with it’s central updraft representing the real power discharge – or the firehose current – a positive ion current flowing up from the ground into the storm. The ground was negatively charged, and so, positive ionic matter from the winds collected there by static attraction, adhering to form the mountains. The mountains retain the shape of the winds that deposited them, which are in the Keystone pattern.

The pattern can be quantified and mapped with something called a phasor diagram.

Phasors are 3-D graphs of vectors. For electrical circuits, they are used to determine the amplitude and direction of energy flow, or power at a given time. In alternating current, multi-phase systems, there are two or more waves out of phase with each other. Phasors are used to determine the resultant vector for the flow of power, voltage and current when there are multiple waves.

Manmade circuits work best when the energy sent ‘down the wires’ is aimed straight and doesn’t splash. Although some reactive power is needed, unwanted “splashing” is inefficient. It shows up as heat loss, signal noise and can even create plasma streamers from high voltage power connections.

We manage this with physical things like insulation, capacitors, transformers and generators to control frequency and amplitude and maximize what is called “real power”, or firehose power, as opposed to “reactive power”, or splashing.

Nature lets energy splash all over, and it results in plasma winds, storms and tornadoes. It also results in rock and mountain formation.

The next image you will recognize as the Richat Structure. The ‘compare’ image shows the basic Keystone pattern features. Wind direction is verified where possible by the triangular faces of tetrahedral hills formed in supersonic shock waves, and rock dikes (not marked on this image) caused by wind and shock wave.

The Richat Structure. Green should be labelled Stray Capacitance, not Magnetic field. Move slider to compare.

The Richat was created by a plasma tornado spinning like a buzz-saw between two opposing jet-streams. Tornadoes have a down-streaming, core wind inside the spinning updraft. A tornado is called a Marklund Current, and it has a central, core downdraft of ionic wind. That is why tornado genesis begins with a descending column of condensate meeting a rising swirl of dust. It’s a connection being made to complete a circuit of opposing positive and negative current flow.

The Keystone pattern, in the case of the Richat, was caused by induction winds that hugged the ground, being fed by the core downdraft, and blowing out beneath the up-drafting whirlwind.

The next images shows the wind pattern of the whirlwind and the shock waves that resulted from the induction winds crossing under the whirlwinds. The winds cross orthogonally and leave cross-hatched shock features.

Richat tornadic wind and shock wave patterns.

The Shoemaker crater in Australia provides another example of the Keystone. The crater doesn’t show signs of rotation on the ground, but the Red Cross of induced ground currents formed a rock dike that is fairly pronounced, as are wind patterned mountains at the Green Encircling ring of capacitance forming the crater rim.

Induction features can be either anodic, or cathodic. If the ground is charged negative and a wind full of positive ionic matter blows over, a mountain of adhering matter will form. If the negative ground is exposed to a ground-to-ground discharge, it will sputter, or blast earth away and leave a depression. If the ground has positive matter in it, that will suck to the discharge and fuse to form a rock dike. Examples of rock dikes formed by ground currents are shown in the next images.

Anode and cathode features will appear alternately as current passes through the encircling rings of capacitance, making interference patterns in hills and crater rims.

If you are wondering, are these patterns on the Moon? They are not. Lunar craters are from Direct Current (DC) discharges, because the Moon is not alive with a geomagnetic field like Earth is. Earth is a multi-phased circuit, and these patterns result from multiphase Alternating Current (AC) interactions.

Lunar craters do not exhibit the Keystone Pattern.

There are several craters that exhibit the fast unipolar winds crossing the crater rims caused by induction across the Blue Bar. Here are three in the next collage of images.

Blue Bar induction winds. Pingualuit Crater, Quebec

No one crater exhibits every feature perfectly. Some features are covered by sand, water, farms and cities. Some have eroded and some simply don’t develop in every condition. The patterns develop from reactive currents in both the air and ground. There is, however pattern consistency when several features are evident in the correct position with respect to the quadrants of the phasor. Here are several craters from around the Earth, most of them falsely attributed to meteors. They are the result of a discharge current flowing between Earth and sky. All exhibit aspects of the Keystone Pattern.

Note the “Q” in each ring. At roughly the five o’clock position, each crater exhibits a hooked shaped slash, or other anomaly through the ring. Of course, I’ve oriented the pictures so they are consistent, but note there is also similarity in the pattern of river channels connected to the ring to either side of the “Q” mark in most of the craters. So, there is a quick and dirty way to identify the Keystone pattern. Look for the “Q” with a lightning bolt through it.

Truth is always holistic… we’ve been trained to think our consciousness is constrained to the brain. It’s not.

Cheers,

Electric Universe February 18, 2022

The Holy Trinity: Energy, Information and Truth

Call it the Trinity of Natural Philosophy if you like, not to confuse with the spiritual. But it is one and the same, in the end, because it is all one circuit. The Holy Trinity is Energy, Information and Truth. That is what physics comes down to.

Fundamentally, energy is the thing physics examines. We examine it, fundamentally, by understanding the information carried in its amplitudes and wavelengths. One could say, energy, and it’s transmission in analog wave-forms constitutes information – or energy equals information – full stop. And finally, there is only one true interpretation of the waveforms. We call that the Truth.

Hence, Energy motivates, waveforms transmit as Information, and Truth is the hoped-for consequence – the Holy Trinity of physics. That’s one meaning anyway. The other meaning is God, and the Trinity of Father, Son and Holy Spirit. And as I said, they are one and the same. So let’s not beat around the burning bush, this essay is a proof of God – and physics.

There is a silent axiom to Electric Universe cosmology. That is, that the cosmos, in it’s entirety, and in it’s every part, is a circuit. We say “everything is electric”, but what that intrinsically means is that “everything is a circuit”, because one is the other. And one can readily relate at any scale, such as the fact that we humans are a complex, biological network of electric circuits that act and think as independent entities; or that a thunderstorm is an electric circuit; that the actions of energy at the quantum level display the “interconnectedness” of circuitry; same thing at the scale of the Solar System, the galaxies, the cosmos – circuits nested within circuits.

These self-similar patterns go on, right into the rocks of Earth, because the sub-atomic particles that form the atoms that form the crystals in rocks, like all matter, is made of standing waves of energy. The irreducible “particle” is not a product of “duality”, but of one thing: energy, trapped in a 3-dimensional circuit we call a plasmoid. The illusion of matter is a standing wave of energy, trapped by capacitance in a circuit. E=Mc2. Stop the energy in a standing wave and you get matter. It’s a phase change. Matter emerges from energy. It’s “condensed” energy created by capacitance in the circuit. This is just physics, folks.

Capacitance generates an electric field in opposition to the circuit it’s in, and interrupts the flow of energy, making a standing wave of energy. A plasmoid is a whirling dervish of energy, but it cocoons inside it’s own magnetic field, and shelters like a snail inside shells of spherical capacitance. It’s an electric bubble with a skin of capacitance and looping, magnetic braids of hair. Like a bubble in the wind, or a snail in the sea, it is in constant feedback with it’s surroundings.

It has it’s own internal electric field encapsulated within its spherical capacitance, which resonates with the ambient electric field. It is, in electrical terms, called an electret. An electret inducts energy from it’s surroundings with it’s magnetic field, stores it and sends it back in an open circuit fashion, the spherical capacitance being the means of storage. Hence, it is both an independent circuit of standing waves (a particle) and part of an ambient, or parent circuit that is in constant feedback with it, because it’s a part of the parent waveform, like a baby in a womb, a bubble in the wind, or a snail in the sea.

A circuit is an entity whos actions remain coherent with the energy of its parent circuit. Like Escher’s picture of the hands drawing hands, the actions of one influences outcomes in the other. Every circuit is fed energy from the parent circuit, does work for the parent circuit, and what energy it loses to entropy is re-organized in the parent circuit.

It has mass due to the dielectric energy trapped in spherical capacitance, and hence cannot exceed the speed of light. But energy can. And the energy of the plasmoid always resonates with the energy that created it, because it retains that sheet music of frequencies. It always echoes it’s parent’s energy. We call that quantum entanglement; interconnectedness; spooky action at a distance; “as above, so below”; the metaphysical, or if you don’t understand it, duality.

Circuits are why we see repeating self-similar patterns everywhere in Nature. Because circuits in Nature self-organize in fractal patterns of magnetic and electric induction as the flow of energy tries to balance itself with changing electromagnetic fields. The polarizing forces of electricity and time dependent, feedback-inducing magnetism play the same games again and again, like football players with a set piece of plays. They may switch-up the order of play, advance the ball in one instance, lose the ball to the opposition in another, but the motion of the players running set plays with the same boundary conditions, regardless of order or the other team’s feedback, over time begins repeating similar patterns.

The patterns are governed by the mathematical rules of dipoles, phase angles and frequency, yielding such “mysteries” as finding the golden ratio everywhere in Nature. Granted, much feedback, noise and destructive interference confuses the signal and results in chaos, which can’t be called simple. It’s only simple if you stay focused on root cause, and you ask questions pertinent to the truth.

Fractals are not just three dimensional geometries. They unfold over time, and so, are four dimensional “space-time” topographies. That is why history seems to repeat itself. It is why we are all OCD to some degree.

Besides being fractal, circuits think. Circuits cycle, they switch current paths, change frequency, amplify, cancel, resonate, calculate – not of their own accord, but in feedback with their environment. They receive and transmit with the bigger circuit they reside in. There is always the bigger circuit. It does not control, but influences, as does any circuit feedback.

We are such bubbles of circuitry. Bundles of organic matter pulsed with plasma and electric impulses. Our complex collection of cells, gut flora, and structured fluids are, in fact, a bundled harmony in constant feedback with the environment. My daily melancholy rises with every sunset, amplifies on Sunday, and peaks in the winter. Mountains are mournful, deserts are dreamy, I am puny in the face of a storm and deep water is terrifying. Synchronicities fill my life. There are no coincidences. What are these moods? Why does this happen?

Let me give you a hint: it’s not because of gravity. We are intimately, and sensitively interconnected to all around us. Unfortunately, many people limit their senses to the ones consensus science tells them to use. We have capabilities to sense beyond those recognized by the consensus. Our entire bodies are antennas to the frequencies around us, regardless of whether we are conscious of them or not. One can acquire better awareness. Considering all the frequencies in the cosmic bandwidth, and all the possible harmonies that could result, it boggles the mind what intelligence must reside around us.

Energy is what motivates. It travels in frequencies and amplitudes. Frequency and amplitude is raw information at it’s fundamental, irreducible level. Therefore it is the irreducible Truth. Knowing the Truth is the consequence of resonating with the cosmos and comprehending. That, and only that signal is the whole truth, any other signal is disinformation. Hence, there is only one truthful signal, and that is direct from the parent circuit.

There can be only one complete circuit that includes all circuits, that encompasses all energy, time and space, and knows the conduct of every minor circuit loop within it. Call it what you want, but God works for me.

That is why one can only know God in a personal way, where you speak directly with Him. No priest, pastor or Angel, let alone scientist, politician, or media can do it for you; they can only pollute His message. God is the Cosmic waveform that we are in feedback with. He is the Alpha and Omega, beginning to end, the entire circuit and all energy that suffuses the space and time it encompasses. You are either receiving and transmitting in constructive resonance, or you’re not.

It really breaks-down the whole cosmos to a black and white contrast between good and evil. Your transmissions create either constructive, or destructive interference that amplifies the cosmic waveform, or defies it. No one ever gets it perfect. You always have the opportunity to try.

This is why Truth is Devine. Finding the truth, about anything, is to do God’s work. To relentlessly pursue truth for the sake of truth is to follow God’s path. This I know, having fallen-off path a few times.

They say God is love, but there is no true love without truth. Respect for the truth is the essence of love and empathy for your fellow man, your society and yourself. And therein you find God. It is true He is love, because love is truth.

That is the Trinity. God is Energy, Information is the Holy Spirit that informs our path through life, and Truth is Christ, the human embodiment of unflinching truthfulness in the face of constant evil – the Satan of deceit. Christ is God’s model for us to follow. Energy = Information = Truth, the Holy Trinity. I hope that clears things up.

This comes to me because of my father. I was pondering his death, which occurred many years ago, and how my Mother had concern over his salvation. Dad never shadowed the doorway of a church, except for funerals and weddings. He did not worship. In spite of my Mother’s strong Southern Baptist beliefs, my father, like myself at that time, was agnostic. So, I know it wasn’t that he was an atheist, he just didn’t feel he had enough information.

As my knowledge has grown, my mother’s wisdom has caught up to me. This caused me to wonder if my fathers doubts about cosmic provenance might impede his ascendance to the higher networks of nested circuitry. I realized that it could not, because my father had faith in truth, above all else. He may not have lived to learn the ugly truths we are learning now, but his pursuit of truth was sure. Faith in truth is faith in God. If one knows God, one recognizes the truth.

Faith isn’t a matter of convincing yourself to believe something. It’s coming to the truth, about yourself, what you’ve done, or not done, and making a commitment to follow the truth, and take responsibility for it like a human being, not a slinking alley-cat. Belief comes from knowing your energy is devoted to the path of truth. That path, and that path alone will reward the follower with eternal life. Anything else leads to eternity in a labyrinthine cul-de-sac of deceit.

Atheist’s ask why we believe, but they don’t question why they doubt. It’s because they just can’t handle the truth.

Cheers,

Electric Earth, Electric Universe, Thunderblogs September 1, 2021September 1, 2021

Shock Waves: Why they are important

Immanuel Velikovsky described worlds in collision, and correctly identified the physics of such interactions. They are electric. He was informed by classical physics, such as the work of Christian Berkeland, who half a century earlier discovered the polar aurora is Earth’s electrical connection to the Sun. Today, the Electric Universe community carries theories of an electric cosmos forward, it having been abandoned long ago by mainstream consensus in favor of no Aether, and a miraculous big bang.

We are at odds with consensus science beliefs. Besides the obvious, fundamental disagreements about Aether and gravity, and the plethora of differences flowing from that, we also have a fundamentally different way of addressing scientific inquiry. The examination of shock waves provides an example worth discussing.

Non-volcanic mountains all over the world were laid in place by winds and electric currents. I can’t confirm each and every hillock, but by and large, the mountains around you, wherever you are, were made by wind. They were plasma winds, charged with ions and free electrons, laden with dust and water vapor that carried the current within. Each wind-stream was a current. The dust and water was also charged. Dust was part of the plasma, and amplified it’s effects.

The ground was charged, too, as currents welled from the Earth like springs of water. In fact, much of Earth’s currents are carried by water, so springs of water and current were one and the same. Everything, or at least almost everything was charged in that environment; when the creation of Earth as we know it, with the basic shape of the continents we have now, occurred.

Now this brings up the first big difference we have with consensus science. Consensus science sees a collection of ions as a collection of charged particles that will ultimately recombine and form neutral matter. They either dissect it’s behavior into quantum probabilities, or address it as a bulk entity and ignore it’s inner workings. Either way, they miss the big picture.

We see a collection of ions as a circuit. It is a self organizing body, called plasma, that organizes through the actions of it’s frequencies, interference patterns and feedbacks. It forms membrane walls by capacitance, takes life from currents within, is motivated by electric fields, and reacts in feedback to it’s surroundings with magnetism. That organization is called circuitry. That is why geology, if looked at as part of Earth’s circuitry, totally makes sense. The patterns of circuitry between the earth and sky are evident.

This can be proven simply by looking at the result of shock waves on Earth produced by the plasma winds. The highly ionized plasma winds were supersonic and therefore made shock waves. The shock waves acted as wave guides for dust and current, piling the dust and fusing it into mountains.

To recognize this, all one need do is compare mountains of scientific results from supersonic wind tunnel tests to the tetrahedral shapes of mountains. The tetrahedral shapes, as well as numerous other geologic configurations in mountains, can be shown to be the result of shock waves. The morphologies – shape and composition of mountain features – can be shown to precisely match that of shock waves – and shock waves can be shown to produce the morphology of mountains, empirically.

It is a visual correlation. No math is needed. Of course, a thorough scientific inquiry would include forensic analysis to establish data on the energies involved, the wind speeds and the densities, chemistries and voltages. From this, mathematical models could be made to test and confirm the physics. However, that really isn’t needed to understand the basic circuitry.

Circuitry is a pattern. It is the pattern that informs us, not the math. We already have the math. It is the math of electromagnetism and magneto-hydrodynamics. The links between pattern and math are already known. With regards to shock waves and geology, the patterns are on the landscape to be analyzed. All that is lacking are people educated in the right sciences and willing to get the data and apply the math. Unfortunately, our small community doesn’t yet have such people.

It seems most people schooled in the right sciences prefer to have a career, and a prerequisite for that is accepting the consensus. There are geologists and earth scientists in the EU community (mostly retired people who don’t need a job and have the luxury to seek truth) who have some of the training to apply, but they don’t have backgrounds in aerodynamics. I have yet to hear from anyone who really understands shock waves.

We have electrical engineers who understand circuits, but only when they are contained by wiring and insulation. They don’t seem to know squat about shock waves, arc blast, stray capacitance, or fringing fields because their designs and equations are intended to eliminate these things. The plasma scientists who understand everything, can’t be bothered with geology, because the sexy stuff is outer-space. You know how important it is to know what a black hole really is. That will truly change our lives, right? It’s sexy, and interesting, but it’s not pertinent to anyone’s immediate future. Frankly, if I see an article with “Black Hole” in the title, I don’t read it, because I know whatever is said can’t be verified and I’ll forget about it the next day because it isn’t important.

Understanding the Earth, however, would lead to understanding and perhaps preventing, or mitigating catastrophic earthquakes, volcanoes and weather. It would give us an understanding, instead of a political agenda, behind climate change. It would tell us what caused past extinction catastrophes, and whether they might happen again. This is information that matters. This is information that saves lives.

So I’m giving a bit of admonishment to the scientists in our community for not taking responsibility – as scientists – and focusing on what is most important. But as Natural Philosophers we are very good. People like me, who don’t know all the physics, can still understand the cosmos, from the galaxies to the rocks beneath our feet. My own understanding of physics isn’t half bad, because I’m an engineer, but my knowledge should be described as “an inch deep and a mile wide”. My career required me to know enough about electronics and power transmission, as well as chemistry, geology and human psychology to manage a team building power plants. It’s the “mile-wide” that is important. That’s the other difference we have with the consensus.

The consensus requires specialization. The “big picture” is reserved for the few, mostly astrophysicists who, having spent their time contemplating black holes, haven’t a clue about the real world. They live in their cloistered, academic bubbles.

We have people who might not have a high school education, but they comprehend the universe more than those scientists do. That is because they “see the pattern”, and recognize it’s more important than math. If you have seen one Fibonacci sequence in Nature, you’ll always see it. You can’t un-see it, and there is no point in revisiting the math every time just to recognize it. It’s everywhere in biology, geology, chemistry, and the rest of the cosmos. Likewise the dendrites, filaments and capacitor interfaces created in the process of charge diffusion. Just look, it’s always there. So, we don’t need to beat a dead horse. The math is already evident in the pattern. We know everything is a circuit, therefore coherent, and the patterns are the result, not coincidences.

To the consensus, who look at computer screens instead of Nature, patterns can be coincidences, and therefore not reliable. It’s the same thing they say about eye-witness accounts. This is another big difference we have with the consensus.

Just take what I said about water and currents. Current welling from the ground will carry water with it, because water is it’s conductor and follows the current.

And compare with the concept of “fountains of the great deep” as described by the flood story in the Bible:

“In the six hundredth year of Noah’s life, in the second month, on the seventeenth day of the month, on the same day all the fountains of the great deep burst open, and the floodgates of the sky were opened.”

Source: https://bible.knowing-jesus.com/Genesis/7/11, New American Standard version

Consensus science ignores, and even denigrates the idea mythologies shed light on the truth. But we see mythologies as accounts, because we recognize patterns of plasma events in their telling. And this is corroborated in ancient art, petroglyphs and symbols.

Never mind the implausibility of Noah living six hundred years for the moment. The plausibility of earth gushing water while under electrical stress is something we should expect to happen, and we therefore give credence to the Bible and other ancient texts and mythologies as a record of witnesses. And we keep an open mind about Noah’s age, because we don’t know the effect of a heightened electrical environment on life. There is ample reason to expect, from fossil record data, that life exploded after extinction catastrophes at rates Darwin’s theories alone cannot explain.

Empirically, we know electricity can make plants grow faster, as well as crystals. High potential accelerates growth. Perhaps it also extends it. We don’t know, but we can see the pattern integrates electricity and life, and we can see the pattern of electric actions that created Noah’s flood. You can pick any other ancient mythology, of course, because each and every one has a flood account.

Consensus science can’t do this. They blinder themselves. They deny the possibility of the great flood, even though it’s documented by every ancient culture’s mythology. It’s the difference between smart, and wise – woke, or awake, as said in the popular lexicon.

Consensus science is reductionist. They take a clock and break it, then examine each piece to figure out what it is. We just look at a clock and say, that’s a clock, because we take a holistic embrace of data knowing there is purpose and pattern due to circuitry.

Another inescapable difference between us and the consensus is our sense of spirituality. Although, in the EU community ones spiritual belief is a personal thing, it can be said of the consensus that they proselytize for atheism. Their cosmos is a big cloud of particles from which intelligent life emerges as a consequence of those particles bouncing around. Energy always disassociates to entropy, and it’s all rather pointless. And they want us to know how pointless we are.

For us, circuits form life. We are individual bodies of highly evolved circuitry and free will. Perhaps the pinnacle of life in the universe, perhaps not. But we only experience a narrow portion of the cosmic bandwidth. We know there is circuitry beyond our ability to experience, for the same reason we don’t hear a dog whistle, or feel a radio wave.

We know circuitry is intelligence. That is what thinking is: circuits firing in your body, sending, receiving and processing signals. We also know that our internal circuits receive signals from the environment we incorporate in our processes. Feel, see, hear, smell, taste and the other one we get, but can’t detect. That is our connection to the Aether.

Earth is no different. My calculator thinks much faster than I do, because it has circuits designed to calculate. It’s not “alive”, of course, but it thinks. Earth’s circuits think. Every circuit thinks. The cosmos is a circuit. The cosmos has to think. By my definition, that’s God; the Alpha and Omega, from beginning to end, the morphology of a circuit. For me, this is an inescapable conclusion in the Electric Universe. And it came from recognizing shock waves.

It’s my mission to make everyone realize that shock wave patterns on mountains are as obvious, identifiable, laboratory verifiable and mathematically modellable as the Fibonacci sequence is in a pinecone. I have little interest in convincing scientists. I have tried and their eyes look past me. They adopt the blank look of a zombie, because they are programmed only to think in certain channels. My goal is to expand the bandwidth, and provide every person with knowledge you can see in Nature for yourself.

With that appreciation of Nature comes wisdom. When we can all see the pattern, we’ll stop funding consensus science and it will die on the ash heap of history. There is a century of bad science that needs to be thrown away, and a new frontier of science to be explored. One that will actually give us answers.

The Daily Plasma

Lightning And Its Fractal Domain

Mount Origami – More Proof of Plasma Winds

Egyptian Hieroglyphs – Are we missing something?

Granite Cauldron – Part 2

Lightning And Its Fractal Domain

Mount Origami – More Proof of Plasma Winds

Egyptian Hieroglyphs – Are we missing something?

Granite Cauldron – Part 2

The Cauldron

The Rock

Granite Cauldron

The Boulders

Shine On, You Crazy Diamond!

Cosmic Resonance

The Keystone Pattern

The Holy Trinity: Energy, Information and Truth

Shock Waves: Why they are important

Free Thought, Free Speech, Free Access

Lightning And Its Fractal Domain

Mount Origami – More Proof of Plasma Winds

Egyptian Hieroglyphs – Are we missing something?

Granite Cauldron – Part 2

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The Cauldron

The Rock

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The Boulders

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